Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens


Canon EOS Rebel T3i 18 MP CMOS Digital SLR Camera and DIGIC 4 Imaging with EF-S 18-55mm f/3.5-5.6 IS Lens









CUSTOMER REVIEW



The Canon Rebel T3i takes the consumer level dSLR a couple steps closer to the mid-level Canon 60D with the addition of the rotating rear LCD screen, remote flash firing, and in-camera processing features. The already highly competent, older Rebel T2i already shared many important features with the 60D (and even features of the semi-pro 7D) including the 18 MP sensor, 63-zone exposure metering system, high ISO performance, HD movie capabilities, and Digic 4 image processor. With these new upgrades, it might make it even more difficult to choose between them. But there are some important differences.



If you are considering the Rebel T3i vs T2i, the Rebel T3i is replacing the T2i. Since both cameras share the same 18 megapixel sensor and Digic 4 processor, both the T2i and T3i will create images with exactly the same image quality, produce the same low light/ high ISO performance, shoot at 3.7 frames per second, and have nearly the same size and build quality. They are both offered with the same 18-55mm kit lens (with some minor cosmetic differences on the new T3i kit lens). The T3i is very slightly larger and heavier due to the addition of the rotating rear LCD monitor. And that is one of the biggest differences between the two cameras. Do you want and need a vari-angle rear screen or not? The other major difference is the ability of the T3i to remotely control multiple off-camera flashes. Like the 60D and 7D, you can use the built-in flash of the T3i to trigger other Canon Speedlites. Some other minor additions to the T3i include the Scene Intelligent Auto Mode, which is a feature borrowed from point and shoot cameras. When in Auto mode, the T3i will make a determination of what type of scene you are shooting - close-up, portrait, landscape, etc. - and automatically configure the camera settings accordingly. However, if you want to use a powerful and costly digital SLR as a point and shoot, you should probably save the money and just buy a nice, high quality point and shoot like the Canon S95. Other additional but not essential upgrades include the in-camera processing Creative Filters, and the ability to choose different image size ratios and to rate your images. (Helpful hint: press the Q Button while in image playback and you can access features like rating, rotating, and Creative Filters.) There is also a marginally helpful Feature Guide which gives brief descriptions of various settings and some additional video features like Video Snapshot, which you can use to shoot short video clips that are automatically joined together into a video, with music.



Canon Rebel T3i vs. 60D vs. 7D

Sensor and Image Quality: All three cameras share a very similar sensor and 18 megapixels, and so their image quality will be virtually the same. All are capable of taking professional quality images.



Exposure Metering: The three cameras all share the latest 63-zone, dual-layer exposure metering system and 4 metering modes. That means they will all determine the exposure virtually identically and enable you to take properly exposed photos in most every situation, including difficult back-lit scenes. The size of the areas metered for Partial and Spot metering vary slightly between the cameras, but that isn't anything critical.



Autofocus: The T3i shares a similar autofocus system to the 60D, with 9 focus points and three auto focusing modes. However the 9 AF points of the 60D are more sensitive than those of the T3i: all are cross-type in the 60D, only the center is cross-type in the T3i. The 60D autofocus system is much less complex than the sophisticated AF system of the 7D with its 19 AF point system and its additional Zone, Spot, and Expansion focus modes. These various modes address how you want to deal with and group the numerous AF points. Plus the custom settings of the 7D allow one to customize how the AF system works - how it tracks subjects, how it deals with objects that come between you and your initial subject, how quickly it responds to these changes of possible subjects that are at different distances from you, etc. However, if you are not an avid sports photographer, a wildlife shooter, or someone who understands, needs, and will use the elaborate features of the 7D AF system, then this shouldn't sway you.



Construction: As you can probably figure out from the prices, each camera is not built the same. The T3i has relatively strong construction of a stainless steel frame with polycarbonate body. The 60D has a stronger and lighter aluminum frame and polycarbonate body, but not as strong as the 7D's magnesium alloy construction. The 60D also has some amount of weather sealing - more than the T3i, less than the 7D. But for most users, including even those using the camera daily or in travel situations, the construction of any of these cameras is far more than good enough, strong enough, and durable enough.



ISO: Since they all share a very similar sensor, the ISO sensitivity and performance at high ISO settings is virtually the same for these three cameras. But don't take my word for it, don't be swayed by pixel peepers on forums, instead check out the camera sensor tests at dxomark to verify this. As you can see, they all share the exact same overall score, and show very similar performance.



Controls: As with construction, the buttons and controls vary with these cameras. Unlike the T3i, the 60D and 7D have nearly every control an advanced photographer needs on the exterior of the camera and they also have the top LCD panel and rear Quick Control Dial that are not on the T3i. With all the cameras, any controls can also be easily accessed with the Q Button and Q Menu or in the other menus on the rear LCD monitor. The top buttons of the 60D set only one setting each, so this is less complicated than the multiple-setting buttons of the 7D. Canon has removed the white balance (WB) button on the 60D that the 7D has, but that isn't a big deal - use the Q Menu. Another change on the 60D is that the Multi-controller has been moved from the thumb joystick like the 7D and 50D and placed in the middle of the rear Quick-control dial. This doesn't change how it functions, and should just be a matter of getting used to the difference. If you plan on using your camera on Auto or Program most of the time, then the controls of the T3i are more than sufficient for your needs. If you work in Av, Tv, or M modes and need quicker and more direct access to your controls and the additional top LCD screen to view and change your current settings, then you need to consider the 60D or 7D over the T3i.



Menus and Custom Functions: These allow for greater control over customizing how the camera functions. The T3i has less Menu and Custom Function setting options than the 60D, and the 7D has yet a few more than the 60D. These settings enable you to customize the operation, function, and controls to work how you want them to, including things like exposure increments, peripheral illuminations correction for lenses (fixes dark corners), tweaking how the autofocus system operates, setting more precise white balance settings, and customizing which button does what. There are ebooks such as my Canon T3i Experience - The Still Photographer's Guide to Operation and Image Creation With the Canon Rebel T3i / EOS 600D and Your World 60D - The Photographer's Guide to Operation and Image Creation with the Canon 60D which walk you through all of the Menu settings and Custom Function settings so that you can set up your camera to work best for how you photograph, and also begin to learn to master all the advanced features, settings, and controls of these powerful dSLR camera.



Wireless Flash: Like the 7D and 60D, the T3i incorporates wireless flash triggering. This allows you to trigger multiple off camera flashes at different output levels. The T2i does not have this feature.



Articulating LCD Screen: The big new feature that the 60D and T3i have that the 7D and T2i do not is the articulating rear LCD screen. This may prove useful for videographers, as well as for setting up compositions while the camera is on a tripod, for macro use, or for using it from unusually low or high vantage points. Some users will be able to avoid buying an expensive angle finder because of this feature. There is also an electronic level in the 7D and 60D, visible in the viewfinder, rear LCD, or top LCD.



Viewfinder: The T3i has a pentamirror viewfinder with 95% coverage of the actual resulting image. The 60D has a large, bright pentaprism viewfinder with 96% coverage, not quite as nice as the nearly 100% view of the 7D pentaprism.



Processor: The T3i shares the same Digic 4 processor as the 60D. The 7D has dual Digic 4 processors. However, if you don't need to shoot dozens of continuous images, you probably won't notice any processing speed issues.



Continuous Shooting Speed: The T3i can shoot 3.7 frames per second. The 7D can shoot a blazing 8 frames per second, in which the photos barely change from frame to frame. The 60D can shoot a respectable 5.3 fps which is actually a more useful rate. If you need the extremely high fps for sports, wildlife, or other action shooting, get the 7D. If not, don't be swayed by this excessive feature.



Memory Card: The T3i and 60D use the SD memory card. The 7D uses the CF card.



Battery: The T3i and T2i use the smaller LP-E8 battery with less capacity than the LP-E6 battery used by the 60D and 7D.



Size and Weight: The T3i is smaller and lighter than the 60D, which in turn is smaller and lighter than the 7D. Go to a store and hold them to get a better feel for their size, weight, and feel. The 60D and 7D "feel" like the more substantial cameras that they are. A nice improvement of the T3i is that its hand grip area has been modified, and has a different feel than that of the T2i - the area where the thumb rests is contoured differently and has a nice channel for the thumb, which allows for a much more secure one-hand-grip of the camera.



AF Microadjustment: The 7D has this feature, the 60D and T3i and T2i do not. This allows you to adjust the focus of each of your lenses in case any of them are slightly front-focusing or back-focusing.



Locking Mode Dial: This is a new feature for a Canon dSLR, only on the 60D, that keeps the Mode dial from accidentally rotating. A nice touch.



Full HD video: Of course they all offer this capability. Note that this is not video for your kids' parties and soccer games. It does not have continuous autofocus while shooting, as a camcorder does. It is not designed for that kind of use, but rather for serious videographers who typically manually focus. You can adjust autofocus while shooting by pressing the shutter button or the AF button, but it may have a less than desired looking result and unless you are using an external microphone, the autofocusing sound will be picked up. The T3i has the digital zoom feature in video, which allows for nice smooth zooms while filming.



Flash Sync: the 60D and T3i do not have a PC sync flash socket to plug in PC sync cords for off camera flash use. The 7D has this. However, they all offer wireless remote flash capability with the built in flash as a commander.



Ease of operation: While beginners may find all the buttons, controls, and menus of any dSLR difficult and confusing at first, the menus and controls of the T3i and T2i are pretty basic and simple to learn for a dedicated user. The additional controls and menus of the 7D and 60D are all quite intelligently designed, intuitive, and straightforward for the more advanced user. Again, have a look at helpful guides such as my Canon T3i Experience - The Still Photographer's Guide to Operation and Image Creation With the Canon Rebel T3i / EOS 600D and Your World 60D - The Photographer's Guide to Operation and Image Creation with the Canon 60D to begin to learn to master all the advanced features, settings, and controls of these powerful dSLR cameras.



via Amazon Best Seller V2 copy copy http://www.amazon.com/Canon-T3i-Digital-Imaging-18-55mm/dp/B004J3V90Y/ref=pd_zg_rss_ts_p_photo_2

808 Car Key Chain Spy Camera Recorder 720*480 TF - New


808 Car Key Chain Spy Camera Recorder 720*480 TF - New









CUSTOMER REVIEW



This is the 808 key fob camera, and I received version #3 one of the best (Google for more info). Picture quality is very good considering the incredibly tiny lens - don't expect DVD quality but it's good and not choppy. It is "zoomed in" more than you would think so do a test run or two to become familiar with aiming. I use it to record various activities that my smart and devious Maltese gets into so I'm not particularly concerned with hiding the cam but I can assure you it's discreet if you needed it to be. It does have a small indicator light on the top but luckily it goes out when recording, this should be a given but most of these "spy cams" have a bright LED blinking light when recording (seems counter-intuitive). Speaking of which, here's a quick version of how to operate:



Hold down power button for about 2 seconds, the yellow indicator light comes on and stays on.

To begin recording press the (separate) recording button for about 2 seconds, the yellow light will blink three times then go out, now your recording. VERY simple.



Takes a good 2.5 hours to fully charge, but that's because it has a nice big battery. Mine lasted for 1 hour and 45 minutes of constant recording before depleting. That's LONG for this sort of thing. When I opened the files on my SD card I had 4 automatically saved files...Three were 30 minute clips and one 15. Total file size was about 2.5 GB so buy a 4GB SD card to go with this, 2GB and you will cut short, 8GB is way too much.



Incredible deal for ~$15 shipped...I would pay 2-3x that and still be happy.



via Amazon Best Seller V2 copy copy http://www.amazon.com/808-Car-Chain-Camera-Recorder/dp/B00849KQD0/ref=pd_zg_rss_ts_p_photo_2

OEM Mini Red-Green Moving Party Laser Stage DJ Light Projector


OEM Mini Red-Green Moving Party Laser Stage DJ Light Projector









CUSTOMER REVIEW



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via Amazon Best Seller V2 copy copy http://www.amazon.com/Red-Green-Moving-Party-Laser-Projector/dp/B005LATR0I/ref=pd_zg_rss_ts_p_photo_5

AmazonBasics Large Gadget Bag (Gray interior)


AmazonBasics Large Gadget Bag (Gray interior)









CUSTOMER REVIEW



I just converted from my old dinosaur DSLR equipment and the huge bag it takes to hold everything to a DLSM (mirrorless) micro 4/3rds system. Since I no longer need a huge bag to haul my new system, I tried two other bags...then, I found this bag. I am not kidding, this bag is absolutely perfect. It holds my Panasonic Lumix G series body with a pancake lens, two Lumix power zoom lenses, filters and has just enough room left for another small camera like a superzoom. It is extremely well padded with adjustable compartments. There is plenty of secure extra storage for a phone, extra batteries, charger, etc. There is even a padded place for an iPad. The bag is easy to open with one hand and sits flat on it's bottom. It is perfect for the car. It sits well out of sight on the floorboard and when I need it, I can put it in the passenger seat and access everything I need without it slipping or sliding around like larger bags tend to do. If you want a top quality, incognito, camera bag look no further. Amazon hit a homerun with this one.



via Amazon Best Seller V2 copy copy http://www.amazon.com/AmazonBasics-Large-Gadget-Gray-interior/dp/B00CDS9HTM/ref=pd_zg_rss_ts_p_photo_5

Kenmore 46-9690 Kenmoreclear! Refrigerator Water Filter


Kenmore 46-9690 Kenmoreclear! Refrigerator Water Filter




The Kenmore 46-9690 / ADQ36006102 Refrigerator Water Filter provides better tasting drinking water right from your refrigerator. Cleaner, healthier water and ice for your family is easy and convenient with this filter cartridge!

  • Have great tasting water for just pennies on the gallon

  • Filter replacement is quick and easy

  • Eliminates harmful chemicals to provide safer drinking water







CUSTOMER REVIEW



I hesitated because, though the number is the same as on my filter purchased from Sears, the box was different in the photo on Amazon. After some though decided to take the chance. Well, it came with the updated box (so the one on this amazon photo is not right) BUT, it is the correct product. Sears sells it for $58.98 so I decided to go ahead and get another one to keep for next time. Very pleased with the fast service and the price and the product. Shame on Sears for selling this same thing and almost a $20 markup ! Thank heaven for Amazon!!



via Amazon Best Seller V2 copy copy http://www.amazon.com/Kenmore-46-9690-Kenmoreclear-Refrigerator-Filter/dp/B005OK12HQ/ref=pd_zg_rss_ts_la_appliances_5

Canon EOS 5D Mark III 22.3 MP Full Frame CMOS with 1080p Full-HD Video Mode Digital SLR Camera (Body)


Canon EOS 5D Mark III 22.3 MP Full Frame CMOS with 1080p Full-HD Video Mode Digital SLR Camera (Body)




The Canon 5260B002 EOS 5D Mark III 22.3MP Digital SLR Camera Body (lens required and sold separately) with supercharged EOS performance and full frame, high-resolution image capture is designed to perform. Special optical technologies like 61-Point High Density Reticular AF and extended ISO range of 100-25600 make this it ideal for shooting weddings in the studio, out in the field and great for still photography. Professional-level high definition video capabilities includes a host of industry-standard recording protocols and enhanced performance that make it possible to capture beautiful cinematic movies in EOS HD quality. A 22.3 Megapixel full-frame Canon CMOS sensor, Canon DIGIC 5+ Image Processor, and shooting performance up to 6.0fps provide exceptional clarity and sharpness when capturing rapidly-unfolding scenes. Additional technological advancements include an Intelligent Viewfinder, Canon's advanced iFCL metering system, High Dynamic Range (HDR), and Multiple Exposure.

  • Newly designed 22.3 Megapixel full-frame CMOS sensor, 14-bit A/D conversion, wide range ISO setting 100-25600 (L:50, H1: 51200, H2: 102400) for shooting from bright to dim light and next generation DIGIC 5+ Image Processor for enhanced noise reduction and exceptional processing speed.

  • New 61-Point High Density Reticular AF including up to 41 cross-type AF points with f/4.0 lens support and 5 dual diagonal AF points (sensitive to f/2.8).

  • iFCL Metering with 63 zone dual-layer metering sensor that utilizes AF and color information for optimizing exposure and image quality.

  • EOS HD Video with manual exposure control and multiple frame rates (1080: 30p (29.97) / 24p (23.976) / 25p, 720: 60p (59.94) / 50p, 480: 30p (29.97) / 25p) with 4 GB automatic file partitioning (continuous recording time 29 minutes 59 seconds), selectable "All i-frame" or IPB compressions, embedded timecode, manual audio level control while recording, and headphone terminal.

  • 3.2-inch Clear View II LCD monitor, 170° viewing angle, 1,040,000-dot VGA, reflection; magnesium-alloy body with shutter durability tested up to 150,000 cycles, enhanced dust-and-weather resistance, and updated EOS Integrated Cleaning system for improved vibration-based dust removal.







CUSTOMER REVIEW



I didn't rush to make a review of this camera, as I wanted to really put it through it's paces first. I won't try to list every feature or go over every bullet point (the above description does a fine job), but instead try to go over a few things which make a big difference to me as a 5D Mark II owner. For some background, I bought an original 5D in 2007, a 5DII in 2008 and have been working with these bodies ever since then. I also have experience with all of the Canon 1-series up through the 1DIII and 1DsIII. I currently log about 60,000 photos per year with the 5D Mark IIs as a professional wedding and portrait photographer. I shoot almost exclusively with fast L prime lenses in my work.



So after a week of solid shooting with the camera, here are the areas which are of note relative to previous 5D bodies:



**AUTOFOCUS**

AF is the elephant in the room here so I'll address it first. Good news, we now have a focusing system worth of it's price point. The AF system here is identical to that in the 1Dx and is THE most sophisticated AF system EVER put in any Canon body. It is superior to that in the 1DV and all bodies before it.



I have tested the AF point in servo and one shot mode with my fastest lenses. Speed, accuracy, and consistency have been exceptional and better than anything I have used before. AF gets the job done with zero drama. NO focus jitter, NO frontfocus, NO backfocus, nothing but near-instant, dead accurate focusing with all of my lenses. Even with my Sigma 85/1.4 (which gives my 5DII bodies absolute fits) is 100% accurate with no jitter on the 5DIII. Center AF point and all peripheral AF points are all usable with fast primes. With the 5DII you just use the center AF point and hope for the best (with often mixed results). You could forget using the outer AF points with fast lenses on previous 5D bodies. That has all changed now.



Just to see how far I could push it, I took my most difficult to focus lens (24/1.4 II), put it on the 5DIII, and tried to focus on my black lab in my dimly lit apartment. At a distance of about 2 feet I would able to lock focus on the dog's eye with the far left AF point at F1.4, 1/40, ISO4000. Think about that. I was able to focus on a black eye on a black dog in a dimly lit apartment at F1.4. The 5DII would have hunted all day long trying to do this, even with it's center AF point.



I could sit here and write a book on how happy this performance makes me. For what I do, if this were the only upgrade from the 5D Mark II, it alone would be worth of the $3500 price tag. That said, there is more...



**BUILD QUALITY**

It's hard to put my finger on exactly what changed, but the 5DIII just feels more substantial. It feels like a chopped down 1-series instead of a buffed up 10 series. The contour of the body has changed to fit your hand better. The rubber is also a new compound which is much grippier than before. The 5DIII feels much better to hold and use than the previous 5D bodies.



**SCREEN**

I wasn't expecting a big improvement here, but the screen is drop dead gorgeous. The height is about the same, but it's wider than that in the 5DII and fits the aspect of horizontal images perfectly now. The screen itself has better coatings which allow you to see it easier outside. The contrast, viewing angle, color, and saturation have all improved noticeably. It has a very similar look to a high end smartphone screen. This is a substantial upgrade from the 5DII's screen.



**IMAGE QUALITY**

Image quality is better than the 5DII, but not substantially so. Let me explain.



The 5DIII now natively amplifies the sensor data to ISO 25,600 whereas the 5DII only natively went to ISO 6400. This means that for anything higher than ISO 6400, the 5DIII is better. In RAW you are looking at an improvement of about 1/2 to 3/4 of a stop at high ISO. At lower ISOs, the noise level is about the same.



JPEG quality has improved much more though. The JPEG engine in this camera is staggeringly good and a solid 2 stops better at controlling noise at high ISO than the 5DII. It strikes the best balance of detail and noise control of any camera on the market right now. Note though that default NR in JPEG mode is fairly strong and that you will generally attain a better "look" from your files with the "low" NR setting.



As an aside, the nasty cross-hatch banding present in the deep shadows of 5DII files is now gone with the Mark III. There is still mild vertical banding, but it's similar to the original 5D and only visible when pushed heavily (3 or more stops).



**METERING**

I don't have any hard data on this, but I'm fully convinced the metering of the 5DIII is better than that of the 5DII. I find myself correcting with exposure compensation MUCH less now with the new body than with the mark II. Shooting with the two side the newfound metering accuracy of the mark III is very obvious. I found the 5DII metering very similar to the original 5D. The new 5DIII is much improved here.



**SPEED AND STORAGE**

Camera startup and operation is near-instant. Shutter lag and mirror blackout is now faster than before and leads to a more instant, responsive feel while shooting. This, combined with the vastly improved AF make for a radically different experience from previous 5D bodies.



Dual memory card slots mean you can now either backup your data to a 2nd slot *OR* you can "span" cards. Spanning means that once one card is full it will automatically swtich to the second card. SUCH a nice feature. I can't tell you how many times my card has filled up at the most inopportune moments and shooting stopped. No more.



Shooting speed is either 3fps or 6fps and the buffer is about 18 frames deep in RAW only with a fast CF card. You can shoot almost indefinitely in JPEG mode without hitting the buffer. For RAW I would recommend a 60MB/s CF card to take full advantage of the CF slot speed. The SD slot is slower, but still capable of about 30MB/s write speed.



**COLOR**

The 5D Mark II had a slight magenta color cast. This was easily correctable in post processing and wasn't a huge deal most of the time. I now report that color cast is gone and that the 5DIII's color is much more neutral. Skin tones in general look better due to the more neutral tone.



Additionally I have found auto white balance to be improved over previous 5D models. I've noticed that while post processing I'm having to correct color less with the 5DIII files than the 5DII files. This is very exciting, as it will save me a fair amount of time in post processing. Per usual, all of the cameras struggle under tungsten lighting. However, AWB is able to get color surprisingly close with anything that contains natural lighting.



**MENUS**

I would strongly advise reading the manual because there are a lot of new settings and options which won't be familar to 5DII users. There are also a LOT of different ways to set up your AF system, so a little experimentation is needed. In general, the menu system is more complicated that before, but this also allows a much greater degree of customization of the camera. In that regard, the 5DIII is much closer to a 1-series than before. Take the time to learn it and set it up correctly.



**MISC**

You now have the option to one-click zoom to 100% at your AF point. This means you can instantly check focusing with one button push. This saves a lot of time and frustration while shooting. There is also a "silent" shutter mode which only makes about 1/2 the noise as the standard shutter. You can do one-shot or 3FPS in silent shutter mode. 6FPS continuous is only available with the standard shutter mode.



Another brand new feature that's exciting is the ability to re-map buttons on the camera to perform other functions. The options are very extensive. One in particular I'm excited about is the ability to toggle one-shot with AI-Servo by clicking the DOF preview button (which is now on the right hand side of the camera, in perfect reach of your middle or ring finger). If you are shooting a still subject in one-shot and they start to move, simply push the DOF preview button and you're instantly in AI Servo mode. There is no need to move your hand, or even look away from the viewfinder. When you are done, simply release the button and you're back in one-shot mode.



**CONCLUSION**

Canon finally woke up with the 5D Mark III. The completeness of this refresh is hard to overstate, as there is no part of this camera that was left untouched from the Mark II. The overall experience of using the camera has been transformed to an entirely different level. You will be faster, better, and more efficient with a 5D Mark III relative to its predecessors.



The improvements here will most cater to those who shoot in demanding environments which require high ISO and fast, accurate autofocus. Canon basically fixed most every complaint anyone ever had with the 5DII while maintaining the things which made the 5DII great (resolution, image quality, small body).



The price of this body is probably about $500 too high compared to its primary competition - the $3000 Nikon D800, which is likely to annoy some people. Though individually they cater to different types of photographers and have different strengths over the other, overall these two cameras are comparable products. If you are starting from scratch or have minimal gear investment, the D800 is worth a hard look at. If you are heavily invested in one system or another, you would probably do best just to stick with your current brand. Both are fine cameras and you can't go wrong with either one.



via Amazon Best Seller V2 copy copy http://www.amazon.com/Canon-Frame-Full-HD-Digital-Camera/dp/B007FGYZFI/ref=pd_zg_rss_ts_p_photo_4

Model 50 Premium Unbreakable Air Deflector


Model 50 Premium Unbreakable Air Deflector









CUSTOMER REVIEW



As other reviewers have noted, this is a great deflector, does the job well, strong magnets keep it in place and it has strong, sturdy construction. I don't know if I'd test out the "Unbreakable" guarantee on the box, but it definitely does the job and is ready to go straight out of the box.



If you are trying to decide (like I was) between this one and the $1.50 cheaper Deflect-O 99 Plastic Magnetic Air Deflector, please just go with this one. I couldn't tell what the difference was so I ordered both out of curiosity. Well this one is Made in the USA of much thicker plastic with sturdier construction--the other one is made in China and is quite flimsy and has a hard time staying together when extended beyond 10". Don't waste your $$ on the other one--stick with this one, Made in the USA and will last much longer for only a buck fifty or so more.



via Amazon Best Seller V2 copy copy http://www.amazon.com/Model-Premium-Unbreakable-Air-Deflector/dp/B00009W3G7/ref=pd_zg_rss_ts_la_appliances_5

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