Tampilkan postingan dengan label Alexander Payne. Tampilkan semua postingan
Tampilkan postingan dengan label Alexander Payne. Tampilkan semua postingan

A Medium Blizzard In A Moral Universe







I haven’t seen any new movies lately. I’ve re-watched a few flicks between writing and other life crap including, one of my favorites, Alexander Payne’s ABOUT SCHMIDT ‘cause a friend had never seen it.



I was reminded how Scott Tobias really nailed SCHMIDT in his Onion A.V. Club review: “In one of the many simultaneously funny and heartbreaking scenes in Alexander Payne’s wonderful ‘About Schmidt,’ recently retired Omaha insurance salesman Jack Nicholson steals away to a local Dairy Queen and orders a medium Blizzard. That he has to sneak off from his wife (June Squibb) to do it is telling enough; that he treats himself to a medium instead of a large speaks volumes about his character's diminished sense of self-worth.”



“Medium Blizzard” seems to really sum it up. So much so that Tobias brought it up again in his reviews of Payne's Schmidt follow-up SIDEWAYS: “Payne (Election) defines his universe through these sorts of wry behavioral observations; in his last film, ‘About Schmidt,’ Jack Nicholson's order at an Omaha Dairy Queen says more about him than reams of dialogue would have accomplished.” Yep, that medium Blizzard really made an impact on Tobias.



As well it should - the most effective devices in character presentation are the tiny seemingly meaningless day-to-day decisions and off the cuff behavior that speaks volumes as Tobias says. “The Devil is in the details” as the expression goes.



I’m still making my way through the 4th season of Six Feet Under, which is a good example of the little-things-say-so-much deal I was just babblin’ about. One particular intense episode, “That's My Dog” (involving Fisher Funeral-home family member David being abducted by a crackhead con man), which originally aired last summer struck me as both outrageously manipulative and wickedly brilliant.



I know it can be seen as an extremely geeky process, but I watched it a second time with the commentary track by director Alan Poul. Poul addressed viewers’ negative reactions, told me things that were intended as fantasy but I wrongly interpreted as reality, and pointed out an excellent article written by Emily Nussbaum in New York Magazine that anyone with even a passing interest in the show should check out: “Captive Audience” (New York Metro 8/04)



At one point during his insightful and economically worded commentary, Poul also touchingly said: “You put stuff out there in order to get a reaction from the world with the best of intentions and what you get back is often not what you expect or deserve or even consider to be an answer.



There is such a thing as a cry that goes unheard but all that added up does not mean we're not living in a moral universe.”



That immediately brought to mind this Woody Allen quote: “An artist creates his own moral universe” (from Allen’s 1994 comedy BULLETS OVER BROADWAY).



Definitely heady stuff, though on the other hand - in its obnoxious glib quick wham-bam style an episode of Family Guy that aired earlier tonight made a jab at Six Feet Under. In one of their patented cut-away gags an intestinal worm says: “You know, I’m 3 weeks old, my world view spans no further than the walls of this dog's intestines and I still find Six Feet Under pretentious.”



Take that Alan Ball! From an astute New York Magazine appraisal to some TV criticism voiced by a cartoon worm I think I can see the takeaway balance. Anyway, I need to go and get a medium Blizzard. Actually, maybe just a small one. Depends on if I can steal away I guess.



More later...

List-O-Mania 2004! The Best, The Worst, & The Near Misses










“I know it might sound ridiculous, like this is the scene of the movie where the guy tries to get a hold of the long lost son, you know, but this is that scene. This is that scene and I think that they have those scenes in movies because they really happen. And you've got to believe me, this is really happening.” 



- Phil Parma (Philip Seymour Hoffman in MAGNOLIA, 1999) 



It's LIST-O-MANIA 2004!






Starting with Film Babble Blog's 10 Top Best Movies of 2004:



1. SIDEWAYS (Dir. Alexander Payne)








2. ETERNAL SUNSHINE OF THE SPOTLESS MIND (Dir. Michel Gondry)

3. MARIA FULL OF GRACE (Dir. Joshua Marston)

4. BEFORE SUNSET (Dir. Richard Linklater)

5. FAHRENHEIT 9/11 (Dir. Michael Moore)

6. THE AVIATOR (Dir. Martin Scorsese)




7. BAADASSSSS! (Dir. Mario Van Peeples)



8. THE INCREDIBLES (Dir. Brad Bird)

9. SHAUN OF THE DEAD (Dir. Edgar Wright)

10. RAY (Dir. Taylor Hackford)

Film Babble Blog's 5 Worst Movies of 2004:

1. THE STEPFORD WIVES (Dir. Frank Oz)

2. GODSEND (Dir. Nick Hamm)

3. THE BUTTERFLY EFFECT (Dirs. Eric Bress & J. Mackye Gruber)

4. CLOSER (Dir. Mike Nichols)

5. THE TERMINAL (Dir. Steven Spielberg)

5 Near Misses (You know, 5 flicks that almost had the right stuff, but were misguided or mishandled or just planned missed something):

1. THE LIFE AQUATIC WITH STEVE ZISSOU (Dir. Wes Anderson)

2. I HEART HUCKABEES (Dir. David O. Russell)

3. NAPOLEON DYNAMITE (Dir. Jared Hess)

4. SKY CAPTAIN AND THE WORLD OF TOMORROW (Dir. Kerry Conran)

5. THE MANCHURIAN CANDIDATE (Dir. Jonathen Demme)

More later...

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