ZODIAC: A New Film Babble Blog Favorite

“No good movie is too long and no bad movie is short enough.”
- Roger Ebert 


I fully agree with Mr. Ebert. Many are grumbling about the length and density of the movie in question below but you won't find any grumbling here:


ZODIAC (Dir. David Fincher, 2007) 



A murderer clothed in darkness exterminating make-out parking or picnicking young couples, police and press continuously taunted by letters and cards sent by a serial killer at large, and an obsession with solving a perplexing nightmare of a mystery that derails the lives and careers of investigators and reporters and alienates the ones closest to them, these are all thriller genre elements that have arguably been done to death before, sure. 



But David Fincher’s sixth film ZODIAC, beautifully builds upon those frameworks with excruciating attention to detail and a sense of personal purpose that can be felt long after the film is over.

The film is based upon the infamous string of Northern Californian murders in the late '60s and early '70s by a man who identified himself as Zodiac and who was never caught.



Our protagonist and guide through this is Robert Graysmith (Jake Gyllenhall) a ex-Eagle Scout turned San Fransisco Chronicle editorial cartoonist who while not assigned to the story immerses himself in the chilling codes and cryptic pronouncements that his paper and the authorities receive from the Zodiac. 



The Inspectors on the case David Toshi (Mark Ruffalo) and William Armstrong (Anthony Edwards) follow every possible lead, dissect every single angle, and interview every single suspect but still come up severely short on the crucial conclusive evidence needed. As time goes on with a long silence by the Zodiac – the trail grows cold leaving our heroes spiritually stumped and forever floored by the lack of closure. 




With few of the stylistic flashy touches of Fincher’s previous work (SE7EN, THE GAME, FIGHT CLUB, PANIC ROOM) ZODIAC is a meticulously mesmerizing masterpiece. Despite it’s over 2 and half hour running time not a scene is wasted and it’s admirable that '70s period piece cliches aren’t exploited, they're convincingly inhabited. 



Couldn’t be any better cast as joining the principles are Robert Downey Jr, Brian Cox, Chloë Sevigny, Phillip Baker Hall, Dermot Mulroney, and John Carroll Lynch, all playing the right notes with even incidental characters given sharp memorable turns by reliable bit-players (Donal Logue, Charles Fleisher, Ione Skye *, John Ennis, Adam Goldberg). 



Eerily effective and extremely absorbing with its “histories of ages past” and “unenlightened shadows cast” as Donovan's * "Hurdy Gurdy Man" (the song that book-ends the film) playfully but darkly suggests, ZODIAC deserves the oft quoted critic line this season never lives without: it’s truly the first great movie of the year. 



* Donovan has both a song and a daughter in this film. Good for him.




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Kissing Off KISS KISS BANG BANG

"Were you at the cinema? Did you go to the the cinema? 'Cause I went to the movies."
- Shane Black questioning Val Kilmer on the commentary for KISS KISS BANG BANG

Yep- that's the only flick I've seen since my last post. So here goes :

KISS KISS BANG BANG (Dir. Shane Black, 2005) Its title comes from a phrase coined by an Italian newspaper critic in 1962 referring to James Bond: "Mr. Kiss Kiss Bang Bang" and the whole tone of this movie is just that self consciously hip - well smartass really. It even has a detective film type voice over by Robert Downey Jr. of the smarmy variety (Man, ROMEO IS BLEEDING did the "hey, wait I'm getting a little ahead of myself" fractured narration so much better!) and a convoluted plot which is annoyingly a homage to Raymond Chandler (like what LA crime caper isn't?) it even quotes the man directly in sequence heading titles. There is some good work here in both the writing and acting - Val Kilmer as Gay Perry (that name is not an example of good work in the writing - just to be clear) makes the smarm work for him and Michelle Monaghan amusingly plays with her lines just like her character toys with her men. Its just that the whole thing is so drenched in smartass sarcasm that it made me think repeatedly "this movie is sooo ten years ago!" George Burns once said "the secret of acting is sincerity. If you can fake that, you've got it made." Wish Shane Black had learned to fake a little better on this project.

Now here's an email I got from a filmbabble reader about my last post :

"I don't know...the Silverman thing? some of it's funny but there's a line between being funny and just being an arsehole. But I guess that's pretty much all comedy. I guess i don't know which side i'm on. Like that lemonade joke, pretty damn funny, mighty clever, but i feel like there's no real empathy or anything to give it weight; just an easy joke.

Actually really looking forward to Superman, don't really know why. Haven't kept up with it in years. hey, ever accidentally lock your keys in your...motorcycle? Now see, that's sharp and empathetic -who hasn't been there?

Sorry,
Drunk

Thanks Drunk for your comments. Keep on reading Film Babble Blog!

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A Few New DVD Review Blurbs

Since the Full Frame Documentary Film Fest in Durham is starting today, I thought we’d kick off these blurbs with a highly recommended new release documentary DVD: 

CAPTURING THE FRIEDMANS

(Dir. Andrew Jarecki, 2003)

At first, Andrew Jarecki’s debut documentary comes across like a modern reality-TV influenced update of Kurasawa's RASHOMON, but then it unfolds into something completely different to quote a beloved British comedy troop who themselves are quoted in this fascinating film.

Concerning a Long Island family getting torn apart when accusations of child molestation are directed at the patriarch, formally respected teacher Arnold Friedman, this film uses tons of home movie footage and video mostly shot by son David Friedman. It's an endlessly involving myriad of allegations and defenses that lingers long after the film is over.

The DVD's second disc is full of just as involving bonus material, most interestingly the featurette “Altercation at New York Premiere” and the short “Just A Clown,” which was Jarecki’s original film about clowns hired for children's parties. It was while making that film, that Jarecki came across David Freidman - one of New York's most popular clowns for children's parties - and learning the Friedman family's intriguing yet confusing story. 

CAPTURING THE FRIEDMANS can be seen as an alternate AN AMERICAN FAMILY (the pioneering 1973 PBS reality series about the Loud Family) with a much darker truth within.

GOTHIKA (Dir. Mathieu Kassovitz, 2003) 

For Christ's sake, when is this trend of thrillers in which a supernatural force guides somebody to solving a murder going to freakin' end? Halle Berry heads a great cast (Charles Dutton, Robert Downey Jr, John Carroll Lynch) through a movie nightmare of psycho gibberish. To get the plot, if you could actually call it that, straight - Berry is a prison psychiatrist who wakes up after an automobile accident to find she's accused of murdering her husband and that she's jailed in the same prison she worked at. 

Berry can only remember flashes of imagery surrounding her accident and has no idea what really happened at the scene of the crime. Flashes of imagery and screeched dialogue are the only things I remember after viewing this badly named maze of contrivances. Now, the MONSTER'S BALL Oscar winner is a very talented actress, and a gorgeous woman, so it's easy to get somewhat caught up in this silliness for a bit, but in the end you'll hardly feel this is time spent well.

The darkness of the prison does little to shadow obvious plot points coming, the murky jarring music (sounding a bit like the staccato whale sounds in STAR TREK IV) tells us when we are supposed to be scared or at least pay more attention and when it's stated in the first 10 minutes that the security center's electrical system is faulty with the lights occasionally going out, I don't know anyone anywhere that would not consider that a extremely contrived convenience. 

GOTHIKA is bad as you'd think Limp Bizcuit covering the Who's "Behind Blue Eyes" would be, and that's featured on the soundtrack.

SHATTERED GLASS (Dir. Billy Ray, 2003)

In the true story of New Republic writer Stephen Glass, who had fabricated much information and sometimes entire articles back in the '90s, Hayden Christiansen proves that he actually can act. No joke, Christiansen is way more convincing as a sniveling whiny man-child caught with his hand in the proverbial cookie jar than a Jedi in 2 (soon to be 3) misguided STAR WARS prequels.

Peter Sarsgaard as Glass's harried editor is the voice of reason in this tale, despite the fact that he barely says anything until the storm really starts a-brewing. When Glass's fraud is found out by way of sources who were quoted proven to be fake, reports of committees holding conferences exposed as false, and a website a non-existent software company is suspected of being created after the fact, true human nature also comes out of hiding.

Although there's great work by the cast (including Steve Zahn and Rosario Dawson as webzine reporters who investigate Glass's work), the story really is the star here, and what a star it is. Funny how a movie about lies is actually one of the most accurate "true stories" to get an run (albeit limited) on the silver screen. Go figure.

Dr. SEUSS' THE CAT IN THE HAT (Dir. Bo Welch, 2003) 

You've probably heard this was awful, but it's far worse than you could possibly imagine. Mike Myers brings nothing new to the the famous Dr. Suess character;  he just shows up with his ratty bag of over used tricks. 

Obviously, this is a cash-in after the success of the Jim Carrey GRINCH movie which was bad as well but still superior to this catastrophe. Pun intended. 

I'm not going to go into the plot or tell you about production values or how painful it is to see talented actors like Alec Baldwin and Sean Hayes humiliated in this brightly colored crap. I'm just going to give you this example of the humor in this movie:

Conrad: (jumping up and down on the couch) It's like being in a circus! 

Cat in the Hat: Yeah, but without those tortured animals or drunken clowns that have hepatitis! 

And that's one of the better one liners. The only good news I have to report here is 1. It's only 78 minutes long. 2. Because it was a massive flop (budget : $109 million. US box office gross: $38 million) it is unlikely we will have to suffer further lame ive action film forays into the work of Dr. Suess. 3. Uh, I guess there's only 2 good things to report. 

As pointless as the Paris Hilton cameo (I mean who in the target audience would that mean anything to?) this is definitely a contender for a list of worse children's movies ever. Do yourself a favor take the kids to a circus. The tortured animals and drunk clowns with hepatitis will surely provide more wit and entertainment than anything under this hat.

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