Tampilkan postingan dengan label Francis Ford Coppola. Tampilkan semua postingan
Tampilkan postingan dengan label Francis Ford Coppola. Tampilkan semua postingan

Movies And Books, Movies And Books...







Pony-boy
(C. Thomas Howell):
“All I did was walk home from the movie.”





Darrel (Patrick
Swayze):
“Movies and books, movies and books! I wish you could concentrate on
something else once in a while”





Sodapop
(Rob Lowe):
“Try girls and cars. Works for me.”





From Francis Ford Coppola's movie adaptation of S.E. Hinton's 1967 novel THE OUTSIDERS.






A recent Time magazine article titled Books Vs. Movies (I'd link it but it's premium content - greedy corporate bastards!) again put up the ancient argument - "which is better" in the context of such event movies coming out before this years end like THE CHRONICLES OF NARNIA and MEMOIRS OF A GEISHA as well as the already released HARRY POTTER AND THE GOBLET OF FIRE, SHOPGIRL, BROKEBACK MOUNTAIN, and even WALK THE LINE which was based on two Johnny Cash autobiographies, Man in Black and CASH: The Autobiography.





I've only seen a few of the movies I mentioned above (SHOPGIRL and WALK THE LINE) but lately I have noticed I have a tendency to read or re-read the book before I see the new movie version.





Anticipating CAPOTE a couple of months ago I bought a paperback of Truman Capote's 1966 true crime novel "In Cold Blood" and also watched the 1967 movie version - I guess as a way of doing some homework on the subject or maybe just a geeky habit of wanting to know all the source material available. Sigh. This makes me recall that back in '92 I read "The Autobiography of Malcolm X" a few months before Spike Lee's epic cinematic rendition hit the screens. Jeez! I guess I got it bad.





Despite the old cliche "the movie is always better than the book," there are a number of notable exceptions like BEING THERE, THE GODFATHER and FIGHT CLUB. Many people love certain movies never knowing there was a book and vice versa. I, for years, never knew that HAROLD AND MAUDE was originally a novella written by Colin Higgins who adapted it into the screenplay for the hal Ashby film.





A few movies I've seen lately that were based on books:





COLD MOUNTAIN  (Dir. Anthony Minghella, 2003)




Yes, I know just about everyone, especially here in N.C. read the 1997 Charles Frasier novel at the end of the last decade and then saw the movie a couple years ago, but I only just caught up with both. The book was elegantly written, with details that were almost too much to absorb (the food descriptions were crazy!), all of which I enjoyed immensely. The movie not so much. While well cast (Jude Law, Nicole Kidman, Renee Zelleweger, Philip Seymour Hoffman were all perfect for their roles) was icky, overly glossy, stupidly reducing the love story elements into romance novel fodder. Dammit! They TITANIC-ized it!





THE OUTSIDERS: THE COMPLETE NOVEL

(Dir. Francis Ford Coppola, 1983/2005)



I read the S.E. Hinton book of this way back in Jr. High School in the early 80's like most people in my demographic I guess and was interested to hear that Coppola had restored footage to the movie to make it closer to the book. It does work a little better though despite its boys-club cast (Swayze, Cruise, Lowe, Estevez, etc) its still the feminine cheesy melodrama it will always be in our hearts. Or at least my demographic's hearts.







THE WARRIORS (Dir. Walter Hill, 1979) 



This is another one that I didn't realize til now was based on a book (by Sol Yurick) until recently. Though it was originally a pulp novel, the new Ultimate Director's Cut has wipes and transitions added to make the film look more like a comic book - characters morph into still frame cartoons contained in black border boxes at the end of sequences and then we are whisked away to another panel. 





The effect doesn't bother me but on this here internet there are many fan-boy complaints about Lucas-like tinkering and some such spoiling of a masterpiece. Yeah, its like someone painting a mustache on the Mona Lisa, sure.





More later...



10 Major Marlon Brando Movie Moments


At the end of last week, the legendary Marlon Brando died of pulmonary fibrosis in a Los Angeles hospital. In tribute here are 10 major moments that feature the method acting icon at his most memorable in the movies:












1. “You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.” - Terry Malloy as written by Elia Kazan. ON THE WATERFRONT (1954)










2. “I never wanted this for you. I work my whole life - I don't apologize - to take care of my family, and I refused to be a fool, dancing on the string held by all those big shots. I don't apologize, that's my life, but I thought that, that when it was your time, that you would be the one to hold the string. Senator Corleone; Governor Corleone. Well, it wasn't enough time, Michael.” - Don Vito Corleone, written by Mario Puzo, in THE GODFATHER (1972).





3. "What're you rebelling against, Johnny?” - Girl “Whaddya got?” - Johnny Strabler, written by John Paxton, in THE WILD ONE (1953).





4. “I have seen the devil in my microscope, and I have chained him.” - Dr. Moreau, written by Richard Stanley (based on H.G.Wells' novel), in THE ISLAND OF DR. MOREAU (1996).





5. “It is forbidden for you to interfere in human destiny” - Jor El written by Mario Puz. SUPERMAN: THE MOVIE (1979).





6. “Hey STELLA!!!! STELLA !!!!” - Stanley Kowalski written by Tennessee Williams in A STREETCAR NAMED DESIRE (1951).





7. “I believe I did what honour dictated and that belief sustains me, except for a slight desire to be dead which I'm sure will pass.” - 1st Lt. Fletcher Christian (Brando) in MUTINY ON THE BOUNTY (1962).







8. “You're an errand boy, sent by grocery clerks, to collect a bill.” - Colonel Walter E. Kurtz written by John Milius and Francis Ford Coppola - APOCALYPSE NOW (1979).





9. “Even if a husband lives 200 hundred fucking years, he'll never discover his wife's true nature. I may be able to understand the secrets of the universe, but... I'll never understand the truth about you. Never.” - Paul in LAST TANGO IN PARIS (1972).





10. “My God! Let me get a look at you. You know, you look like shit. What's your secret?” - Max in THE SCORE (2001).





R.I.P. Marlon Brando (1924-2004)


More later...


R.I.P. Marlon Brando (1924-2004)


“The horror. The horror.” - The last words of Colonel Walter E. Kurtz (Marlon Brando, APOCALYPSE NOW, 1979) 






I’ve just learned the sad news that the great Marlon Brando has just passed away at age 80. Causes are unknown at this moment, but rumors of heart trouble are all over the internets. 



The legendary actor, well regarded as one of the finest of the 20th Century, last acted in Frank Oz’s crime thriller THE SCORE in 2001.

Brando, a master of method acting, became a star for ruling the screen in Elia Kazan’s ‘50s classics STREETCAR NAMED DESIRE, and ON THE WATERFRONT, for which he won his first Academy Award. His comeback in the ‘70s with Francis Ford Coppola’s THE GODFATHER (2nd Oscar , boom!), and Bernardo Bertolucci’s LAST TANGO IN PARIS presented the public with an older fatter Brando much parodied by the likes of Saturday Night Live and Mad Magazine.








It goes to show how much of an influential icon Brando was by the mid '70s that a now classic episode of SNL had host Peter Boyle and cast member John Belushi trading off their best Brando impressions in the sketch “Dueling Brandos” to the accompaniment of the plucking banjo from DELIVERENCE.

Brando's extremely expensive glorified cameos in Richard Donner’s SUPERMAN and Coppola’s APOCALYPSE NOW made headlines about the man making millions for just minutes of work. The comic consensus was that he was walking through these roles with no prior research or care. It seemed like he wanted to just go live on an island somewhere. So that's just what he did.

The cartoonish image of a morbidly obese Brando going crazy living on a tropical island somewhere is one that sadly stuck. Even after he started doing movies again (THE FRESHMAN, A DRY WHITE SEASON, DON JUAN DEMARKO) he seemed to be phoning it in.










Acting did appear to be a serious craft to the man anymore. His half-assed screen presence broadcasted to even the cheap seats that his appearance was just for an occasional payday. 



Brando’s role in John Frankenheimer’s THE ISLAND OF DR. MOREAU (1996) at least seemed more sincere because of course it was about going crazy living on an island somewhere! Still, the role won Brando a Razzie Award for Worst Supporting Actor so it was yet another indicator of how far the mighty one had fallen.

This glib blog is no place to go into the darker areas of Mr. Brando's life - this is a scribbling about the silver screen site not a tabloid trash forum - so for Marlon's sake we'll stick to babbling about just his movies. Coming soon: 10 Kick-Ass Brando Movie Moments.

R.I.P. Marlon Brando (1924-2004)

More later…

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