Superman Reboots

Lois Lane (Kate Bosworth) : But millions will die!
Lex Luthor (Kevin Spacey) : Billions! Once again, the press underestimates me.
- SUPERMAN RETURNS (Dir. Bryan Singer 2006)

SUPERMAN RETURNS is one of the only Summer blockbusters I was interested in seeing (don't really care as much for PIRATES or X-MEN) and I'm happy to say it didn't disappoint. Its no SPIDERMAN by any means but its a highly enjoyable piece of pop art that stands up with the first 2 movies. When I originally heard that this project over a decade in the making was going to be based in the world of the 1978 SUPERMAN : THE MOVIE right down to the resemblance of Brandon Routh to Christopher Reeve and the appearance of Marlon Brando in old outtake footage needless to say I was a bit worried - I mean the recent TV shows LOIS AND CLARK and SMALLVILLE (both of which I've never regularly watched) created new modern premises and styles to house the Superman legend so why wasn't this return going to be its own new thing?

It turns out that the retro-lets-pick-up-the-story-as-if-SUPERMAN 3 & 4 (no need to link to these attrocities) never happened is the best thing about SUPERMAN RETURNS. The John Williams theme still has majestic power and the epic tone is fully revived. Kevin Spacey is a suitable replacement for Gene Hackman as Luther though his new land scheme plan is a bit silly. Nice casting abounds - Kate Bosworth, Parker Posey, and Frank Lagella are all spot on. The film is dedicated to both Reeve and his wife Dana which like just about everything else I've mentioned is a nice touch.

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10 Major Marlon Brando Movie Moments

At the end of last week, the legendary Marlon Brando died of pulmonary fibrosis in a Los Angeles hospital. In tribute here are 10 major moments that feature the method acting icon at his most memorable in the movies:

1. “You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.” - Terry Malloy as written by Elia Kazan. ON THE WATERFRONT (1954)

2. “I never wanted this for you. I work my whole life - I don't apologize - to take care of my family, and I refused to be a fool, dancing on the string held by all those big shots. I don't apologize, that's my life, but I thought that, that when it was your time, that you would be the one to hold the string. Senator Corleone; Governor Corleone. Well, it wasn't enough time, Michael.” - Don Vito Corleone, written by Mario Puzo, in THE GODFATHER (1972).

3. "What're you rebelling against, Johnny?” - Girl “Whaddya got?” - Johnny Strabler, written by John Paxton, in THE WILD ONE (1953).

4. “I have seen the devil in my microscope, and I have chained him.” - Dr. Moreau, written by Richard Stanley (based on H.G.Wells' novel), in THE ISLAND OF DR. MOREAU (1996).

5. “It is forbidden for you to interfere in human destiny” - Jor El written by Mario Puz. SUPERMAN: THE MOVIE (1979).

6. “Hey STELLA!!!! STELLA !!!!” - Stanley Kowalski written by Tennessee Williams in A STREETCAR NAMED DESIRE (1951).

7. “I believe I did what honour dictated and that belief sustains me, except for a slight desire to be dead which I'm sure will pass.” - 1st Lt. Fletcher Christian (Brando) in MUTINY ON THE BOUNTY (1962).

8. “You're an errand boy, sent by grocery clerks, to collect a bill.” - Colonel Walter E. Kurtz written by John Milius and Francis Ford Coppola - APOCALYPSE NOW (1979).

9. “Even if a husband lives 200 hundred fucking years, he'll never discover his wife's true nature. I may be able to understand the secrets of the universe, but... I'll never understand the truth about you. Never.” - Paul in LAST TANGO IN PARIS (1972).

10. “My God! Let me get a look at you. You know, you look like shit. What's your secret?” - Max in THE SCORE (2001).

R.I.P. Marlon Brando (1924-2004)


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R.I.P. Marlon Brando (1924-2004)

“The horror. The horror.” - The last words of Colonel Walter E. Kurtz (Marlon Brando, APOCALYPSE NOW, 1979) 

I’ve just learned the sad news that the great Marlon Brando has just passed away at age 80. Causes are unknown at this moment, but rumors of heart trouble are all over the internets. 

The legendary actor, well regarded as one of the finest of the 20th Century, last acted in Frank Oz’s crime thriller THE SCORE in 2001.

Brando, a master of method acting, became a star for ruling the screen in Elia Kazan’s ‘50s classics STREETCAR NAMED DESIRE, and ON THE WATERFRONT, for which he won his first Academy Award. His comeback in the ‘70s with Francis Ford Coppola’s THE GODFATHER (2nd Oscar , boom!), and Bernardo Bertolucci’s LAST TANGO IN PARIS presented the public with an older fatter Brando much parodied by the likes of Saturday Night Live and Mad Magazine.

It goes to show how much of an influential icon Brando was by the mid '70s that a now classic episode of SNL had host Peter Boyle and cast member John Belushi trading off their best Brando impressions in the sketch “Dueling Brandos” to the accompaniment of the plucking banjo from DELIVERENCE.

Brando's extremely expensive glorified cameos in Richard Donner’s SUPERMAN and Coppola’s APOCALYPSE NOW made headlines about the man making millions for just minutes of work. The comic consensus was that he was walking through these roles with no prior research or care. It seemed like he wanted to just go live on an island somewhere. So that's just what he did.

The cartoonish image of a morbidly obese Brando going crazy living on a tropical island somewhere is one that sadly stuck. Even after he started doing movies again (THE FRESHMAN, A DRY WHITE SEASON, DON JUAN DEMARKO) he seemed to be phoning it in.

Acting did appear to be a serious craft to the man anymore. His half-assed screen presence broadcasted to even the cheap seats that his appearance was just for an occasional payday. 

Brando’s role in John Frankenheimer’s THE ISLAND OF DR. MOREAU (1996) at least seemed more sincere because of course it was about going crazy living on an island somewhere! Still, the role won Brando a Razzie Award for Worst Supporting Actor so it was yet another indicator of how far the mighty one had fallen.

This glib blog is no place to go into the darker areas of Mr. Brando's life - this is a scribbling about the silver screen site not a tabloid trash forum - so for Marlon's sake we'll stick to babbling about just his movies. Coming soon: 10 Kick-Ass Brando Movie Moments.

R.I.P. Marlon Brando (1924-2004)

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10 Sequels That Don't Suck

After the response, both good and bad, to The Top 50 Sequels That Should Have Never Been Made (March 12, 2003), it seemed like it was time to take a stand the sequels that don’t suck. It’s a much shorter list, but a damn good one:

10 Sequels That Don't Suck

1. THE GODFATHER: PART II (Dir. Francis Ford Coppola, 1974)

Undoubtedly the greatest sequel because it was better than the original, won a best picture Oscar, and because unlike all the sequels on the top 50 worst list it actually has more story to tell. The casting of Robert De Niro as a young Vito Corleone didn't hurt either. Like Part I this was written by Mario Puzo who also wrote:

2. SUPERMAN II (Dir. Richard Lester, 1981)

This supreme sequel works as a follow-up because it's actually an extension of the first film. It was filmed at the same time for the most part (there was a bit of a rough transition from director Richard Donner to Lester, resulting in some controversail re-shooting) and it satisfyingly concludes the Krypton villains’ subplot set-up from the original.

3. STAR TREK II: THE WRATH OF KHAN

(Dir. Nicholas Meyer, 1982) 

It wasn't hard for this one to be better than the first because the first one (1979’s Robert Wise-directed STAR TREK: THE MOTION PICTURE) was an overblown bore. Meyer’s follow-up jettisoned the celebral egghead exposition of the original, and brought on the shoot 'em up back to sc-fi basics with William Shatner, Leonard Nimoy, DeForest Kelley, and the rest of the iconic crew of the U.S.S. Enterprise facing off against the genetically engineered super-villain Khan Noonien Singh, portrayed by Ricardo Montalbán in a career best performance. Still considered the best of the series.

4. STAR WARS: THE EMPIRE STRIKES BACK (Dir. Irvin Kershner, 1980) Despite the numbering of this as “Episode V,” I still think of this as the second STAR WARS movie. Whatever the case, this is a dark and layered entry luckily not directed by Lucas.

5. THE LORD OF THE RINGS: THE RETURN OF THE KING (Dir. Peter Jackson, 2003) After GODFATHER: PART II, this was the second sequel in Academy Awards history to win Best Picture. 

6. THE EVIL DEAD II (Dir. Sam Raimi, 1987) The third one, 1992's ARMY OF DARKNESS is pretty kick-ass too. Let's hope Raimi pulls off another great sequel this summer with SPIDERMAN 2.

7. IN LIKE FLINT (Dir. Gordon Douglas, 1967) Many forget Flint James Coburn's suave American equivalent to 007. They really shouldn't because this is some sharp slick '60s stuff.

8. INDIANA JONES AND THE LAST CRUSADE 

(Dir. Steven Spielberg, 1989) 



Dennis Miller once joked on SNL that Star Trek VI ought to be subtitled “The Apology” (you know because of the Shatner helmed fiasco of Star Trek V), but this is the sequel that really should have that subtitle. This was a pure return to form after the way-too-dark TEMPLE OF DOOM. And 007 himself, Sean Connery as Indy’s father really seals the deal. The word that there may be a 4th Indiana Jones movie is troubling though.

9. MAD MAX 2: THE ROAD WARRIOR (Dir. George Miller, 1982)

10. ALIENS (Dir. James Cameron, 1986)



Honorable mentions: FROM RUSSIA WITH LOVE, FOR A FEW DOLLARS MORE, TOY STORY 2, and A SHOT IN THE DARK.


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