Post GRADUATE Studies

This Friday, director Mike Nichols' latest film, CHARLIE WILSON'S WAR, is getting a full release but it's another Nichols' movie released 40 years ago to the day (Dec. 21st, 1967) that I'm blogging about here - THE GRADUATE.



That's right, the much beloved classic that starred a young then unknown Dustin Hoffman as Benjamin Braddock, a college graduate who's worried about his future. Braddock's affair with Mrs. Robinson (Anne Bancroft), his courtship of her daughter Elaine (Katherine Ross), and the famous wedding crashing climax are all the stuff of legend so let's celebrate its 40th anniversary with this deluxe post. 



There are Spoliers here so if you have not seen THE GRADUATE go immediately get a copy and watch it then get back to me. Everybody else should know the cast, the plot, and remember its widely quoted dialogue (even the currently playing I'M NOT THERE quotes the "good evening Mr. Gladstone" line) as well as the Simon & Garfunkel soundtrack but here's some things that you may not know: 



5 Fun Facts About THE GRADUATE:




1. Paul Simon's soundtrack submission was originally called "Mrs. Roosevelt" - According to Wikipedia Simon played the director a bit of a new composition and said "'It's a song about times past — about Mrs. Roosevelt and Joe DiMaggio and stuff.' Nichols advised Simon, 'It's now about Mrs. Robinson, not Mrs. Roosevelt.'" 



2. It was Richard Dreyfus's first movie - Albeit a brief appearance but he's visible over landlord Norman Fell's (yep, he was also the landlord on Three's Company) shoulder in the boarding house scene. Dreyfus's only line: "Shall I call the cops? I'll call the cops."



3. The could have beens - Imagine alternate universe versions in which Benjamin is played by either Robert Redford, Charles Grodin (who both tested for the part) or Warren Beatty (who did BONNIE AND CLYDE instead) with Natalie Wood or Sally Field in the role of Elaine. Pretty much impossible to picture, huh? Also consider that Marilyn Monroe was originally slated to play Mrs. Robinson and that the part was also offered to Doris Day and you really get a Bizarro world thing going. Thank goodness the stars aligned casting-wise because if it went any of those directions I don't think I would be blogging about it today. 



4. The leg in the poster isn't Anne Bancroft's - it's Linda Gray's. Gray, the Dallas TV star, later played Mrs. Robinson on stage in the West End and Broadway play adaptations. 



5. Benjamin is driving in the wrong direction - In Dustin Hoffman's DVD commentary * he says "I remember after the film opening, for years, people coming up and saying 'you know you're going the wrong way?' " It's true Benjamin is driving his Alfa Romeo west on the upper deck of the San Francisco Bay Bridge though he's supposed to be on his way to Berkeley, which is to the east. On a separate commentary track Nichols tells Steven Soderbergh: "If you went to Berkeley you wouldn't be visible to a helicopter - you'd be on the lower level - I said screw it, you know? What are they going to do to us?". 



* The new 40th anniversary DVD set has a recently recorded and very entertaining commentary with Dustin Hoffman and Katherine Ross. Hoffman does most of the talking - even when he confesses to Ross that he had a crush on her back in the day she has little to say.




I recently re-read the 1962 Charles Webb novel of THE GRADUATE (that's my own personal yellowed beat-up paperback pictured on the left) and was surprised at how close an adaptation the movie was. Only a few notable differences - Benjamin shortly after coming home to Pasenda takes a hitchhiking trip for a few weeks and claims to his father upon his return that he helped fight a large forest fire, washed dishes, and spent time with prostitutes. Since Benjamin twists the truth throughout the whole story we are not sure whether to believe him but it's a telling footnote. Also the iconic line "plastics" is not in the original text. However, "Mrs. Robinson, you are trying to seduce me" is. 



There has been much talk of a sequel - Buck Henry's (playing himself - he was the original co-screenwriter of THE GRADUATE) pitch to studio exec. Tim Robbins in THE PLAYER (Dir. Robert Altman, 1992) of course comes to mind: ‘‘Okay, here it is: The Graduate, Part II! Ben and Elaine are married still, living in a big old spooky house in Northern California somewhere. Mrs. Robinson, her aging mother, lives with them. She’s had a stroke. And they’ve got a daughter in college — Julia Roberts, maybe. It’ll be dark and weird and funny — with a stroke.’’

In 2004 Nikki Finke in LA Weekly resonded angrily when she came upon a report of a sequel being produced with Kevin Costner, Jennifer Aniston, and Shirley MacLaine. 

The resulting film RUMOR HAS IT... (Dir. Rob Reiner, 2005) turned out not to be a sequel but a regular ole rom com with the premise that a woman (Aniston) with the same Pasenda background discovers that her family was the inspiration for the characters in the book and movie. 



Costner plays Beau Burroughs (get it?) and MacLlaine is the boozy cynical Mrs. Richelieu (of course you get it) and the whole affair is lame and badly written (they should've gotten Buck Henry to do a re-write) adding nothing to THE GRADUATE legacy. Looks like it has finally quashed the possibility of a sequel and uh, that the fact that one of the pivotal principles is no longer with us - the late great Anne Bancroft (1931-2005).




Okay! So once more Happy Birthday THE GRADUATE! Yet again, Benjamin and Elaine board the bus that drives off into the sunset and we all sigh.



More later...

10 Rarely Seen Deleted Scenes Not On DVD

"If this was a movie, you'd be on the cutting room floor" - Second Hood (Jon Polito) THE SINGING DETECTIVE

These days, nearly every DVD has some deleted scenes on the special features menu. Most of the time with few exceptions we can see that they were deleted for a good reason. But what about those scenes we hear talk of and maybe see a random clip or photo of here or there but are currently unavailable on DVD? The ones that have some cache of history or interest that may actually make them worth seeing?

Well, I decided to round up some of the most interesting cinematic suspects right here:

1. The War-room pie-fight that was extracted from DR. STRANGELOVE 

“Gentlemen! Our gallant young president has been struck down in his prime!” General Turgidson (George C. Scott) exclaims after President Merkin Muffley (Peter Sellers) gets hit in the face by a pie.

This moment occurring in the pie-fight that was originally intended to end Stanley Kubrick's 1964 classic DR. STRANGELOVE was thought to be potentially offensive to the Kennedy family for obvious reasons. The original test screening of the film was slated for November 22, 1963 and had to be re-scheduled, again for obvious reasons but that wasn’t the only problem: Kubrick said that the scene was “not consistent with the satiric tone of the rest of the film” and others thought that the actors covered in cream pie were indistinguishable - therefore ineffective.

The pie-fight, which would be replaced by a stock film sequence of nuclear explosions, is well known to fans and film buffs because photographs of it have shown in the bonus features of nearly every edition of the DVD but the scene itself remains missing in action. Wikipedia reports that “the only known public showing of the footage was in the 1999 screening at the National Film Theatre in London following Kubrick's death” but then there’s that telling [citation needed] notation.

So will this scene that Kubrick once called “a disaster of Homeric proportions” ever see the light of a DVD player’s laser? Probably not any time soon though I think when they’re preparing the 50th Anniversary edition on whatever format will be popular at the time - it’ll be a prized bell and whistle selling-point.

2. Luke's bonding with his long-time buddy Biggs being edited out of STAR WARS

When I was a kid I was perplexed by the pictures (including the one above) in THE STAR WARS STORYBOOK (Scholastic 1978) – which I still have by the way - of 2 scenes that weren’t in the movie I saw many times at the theater. The stills were of Luke Skywalker (Mark Hamil) viewing the space battle the movie opens with on his binocs and his chat with Biggs Darklighter (Garrick Hagon) that helped inspire his adventuresome spirit. 



Lucas has said that he cut the scene because he wanted the film to center on the droids' mission from their point of view so we as an audience wouldn’t meet Luke until the droids met Luke. It would be nice to have the full sequence of Luke on Tatooine pre-C3PO & R2-D2 as a bonus on a non-special edition 1977 theatrical cut of STAR WARS (not calling it A NEW HOPE damnit!). This would be great because apart from Biggs we would all get to see some of Luke’s other friends – Deak, Camie and Fixer. Camie, incidentally was played by Koo Stark – later a British soft-porn actress who dated Prince Andrew.



The footage known as "the Anchorhead scene" (because it took place at the Toshi power station in Anchorhead - got it?) was screened for the first time at the San Diego Comic Con in 1998 and released at the same time on a CD-ROM “Behind The Magic”. Now it can be found in many different cuts on YouTube – I would link it here but Lucasfilm constantly cracks down on copyright violations so it probably wouldn’t last long. Just type in “Luke and Biggs” in the YouTube search engine and you’re bound to find it. Just why this isn’t available on any of the many editions of STAR WARS is unknown. When the bank calls and tells Lucas they’ve located another vault in which he can store more money – he may consider its release.



3. Steve McQueen as Sam Spade on THE LONG GOODBYE's cutting room floor:



In the short documentary “Rip Van Marlowe” on the DVD for this Robert Altman should-be classic the words “deleted scene” flash on black and white production stills of McQueen, Elliot Gould, and Altman while Gould reminisces:

“The first day when I walk in to see what was going on – I think Sam Spade was going up in an elevator and I think some of this may have been edited…”

Wait Elliot, sorry Mr. Gould - are you saying McQueen had a cameo as Sam Spade?!!? Are you kidding? No research on the internets will confirm or deny this and I doubt this scene will ever surface because it’s most likely destroyed like much Altman footage of that era so I can only sigh.



4. The original Audrey II eats everybody ending from LITTLE SHOP OF HORRORS:





Many demographic-tested endings have been changed through the years but none more notorious than this one from Frank Oz's 1986 sci-fi comedy musical masterpiece. 



It is the definitive “alternate ending” - a 23 minute sequence which cost 5 million and was true to the stage production’s narrative, in which Seymour (Rick Moranis) is defeated by the ever-growing plant and even feeds Audrey II the dead Audrey (Ellen Greene) before getting eaten himself. 



Audrey II and its many clones take over the planet as the song “Don’t Feed The Plants” serenades or better yet - warns the audience. This sequence was actually released in black and white without sound or special effects on a Warner Bros. Special Edition in 1998 but yanked off the market by producer mogul David Geffen. Early this year according to Wikipedia – “Warner Bros. hinted that a DVD re-issue featuring the original ending may be on its way” so it looks like we may be able to finally see the mean green mother from outer space in all its destructive glory at some point on the horizon.



5. Kevin Costner As The Dead Guy In THE BIG CHILL




The most significant character in Lawrence Kasdan's 1983 baby boomer cinema standard we never see. Well, we see parts of his body as it is being dressed for the funeral but never his face. So what was to be Costner’s big break turned out to be extra-work as a corpse. Costner was cast as Alex, the charismatic college glue that all the other characters (including William Hurt, Glenn Close, Kevin Kline, Mary Kay Place, Jeff Goldblum, Tom Berrenger, and Jo Beth Williams) are forever stuck to.



Costner was supposed to be seen in flashbacks but those were cut and despite much protest were not included in the 10 minutes of deleted scenes on the 20th Anniversary Special Edition DVD. Even if you hate Costner, and I know that many of you do, I think it would be interesting to see how he relates to that particular ensemble cast. Maybe he didn’t live up to his character’s implied charm and his deletion helped better ground the movie – I dunno. 25th anniversary maybe? Post-note: Kasdan cast Costner in his next film SILVERADO to make up for the Alex omission. 



6. Halloran's Death Done Differently Deleted From THE SHINING 



Another scene taken from a Kubrick classic. According to the IMDb:

“Halloran's (Scatman Crothers) death scene as filmed is not the one we actually see. The one filmed depicts a much longer, much more graphic death. In its entirety, the scene lasts almost seventy seconds, and is full of gore. Rather then just run up and hit him as seen in the released version, Jack (Jack Nicholson) runs up, hits him in the back of the head. Halloran screams. 



Jack pulls the ax back, and then slams the spike on the back of the ax into the base of Halloran's spine. Halloran screams and recoils, and then Jack slams the ax into his back and he falls down. Halloran rolls onto his back and is looking up, and Jack starts to beat him with the ax before he "hears" something and leaves.”

This is a scene I believe we will be soon able to appraise because the 2 disc Special Edition DVD will be released October 23rd this year. With hope we will also be able to see the scene that was originally at the end where Wendy (Shelly Duvall) is told her husband’s body was never found. This scene actually appeared when the film was first released but cut by Kubrick a week later.



7. Odd Promotional Photo Indicates Odd Outtake From ANNIE HALL 

None of Woody Allen’s movies on DVD have any extras other than a trailer so the prospect of ever seeing anything resembling a deleted scene is pretty slim. Too bad because this photo issued as a publicity still to promote his 1977 Oscar winner ANNIE HALL implies some juicy cut material. No dialogue is known but it looks like it takes place during Alvy and Annie’s first break-up when Alvy is randomly questioning people on the street about their love lives and they all have great one-liner answers. Can’t imagine what this guy's was. Funny how a shot from a scene unused in the movie makes the rounds as advertising but even funnier that 30 years later a blogger like me would assign such significance to it. Another sigh.
 



8. Alternate Jim Garrison Wins The Clay Shaw Trial Climax in JFK



According to Robert Sam Anson in Esquire Magazine (November 1991) as “a joke” JFK Director Oliver Stone filmed “a not-to-be used scene showing Shaw’s (Tommy Lee Jones) jury bringing in a guilty verdict.” In complete contrast to Woody Allen, Stone has had his DVDs loaded with extras – director’s cuts, commentaries, documentaries, and scores of deleted scenes so where is this gem? It would be rather amusing to see Garrison (Costner *) triumphant from the victory of being the first person to bring a trial in the murder of John Kennedy. With all the special editions of the film we’ve seen so far it’s pretty likely that we will one day see this “joke.”

* Funny how somebody whose average movie is 3 hours long still makes me want to see more footage! Long live Costner! 




9. Enid Sleeps With Josh in GHOST WORLD



This scene, which comes directly from the Daniel Clowes graphic novel that Terry Zwigoff's 2001 film was adapted from, takes place in the third act  after Seymour (Steve Buscemi) and Rebecca (Scarlet Johanssen) shun Enid's (Thora Birch) company one sad day. According to the published screenplay, Enid shows up at Josh’s (Brad Renfro) meager hotel room/apartment and shyly but slyly seduces him. It seems this was omitted because we would have even less sympathy for Enid as she goes on to sleep with Seymour causing a harmful ripple effect. Still since the GHOST WORLD DVD has such inessential deleted scenes involving incidental characters it would be nice to see such an actual major discarded plot point. The movie has never been re-released in any form so its official appearance it still a possibility but I’m not holding my breath. 



10. The Spiderwomen, Myrtle & Beryl, Removed From TIME BANDITS



There was a lot in the published screenplay – evidenced in Gilliam’s doodles, production stills, and full pages of dialogue that were not used in TIME BANDITS. This is typical of his work – all the published Python scripts are the same way (MONTY PYTHON AND THE HOLY GRAIL has page after page crossed off in crayon) so this is no surprise but where is the actual footage? Especially of the scene from the Time of Legends sequence in which the time travelling dwarfs encounter two spinster spider-women (Myrtle and Beryl) who knit webs in which to catch passing knights. 



Gilliam recalls:

"That was another desperate moment, mainly because that sequence was an afterthought. Mike Palin and I had originally written another whole sequence about two spider women who ensnare some of the bandits in their web. We actually filmed this - and it was marvelous. But it now required a scene on either side to get us from the giant to the fortress, and we had run out of money.”

Fairly certain this bit will show up – Gilliam never seems to throw away footage (or any idea) and the many formats in the years to come will have special feature capabilities beyond our wildest dreams (or at least beyond mine) so I bet this will someday make the cut. 


The spider-women are named Myrtle and Beryl according to many sources but only Myrtle Devenish as Beryl is credited on the IMDb which makes me think that this is incorrect info. Devenish plays a game show contestant on the game show satire "Your Money Or Your Life" seen early in the film on a background television. It’s conceivable she also played one of the spider-women but the names seem off. Anybody know the deal here?

I know this is only scratching the rarely seen scenes surface so please leave your comments below or email:

boopbloop7@gmail.com






This post is dedicated to Merv Griffin Merv as a broadcaster wore many hats – game show host, talk show host, real-estate magnate, pop-crooner, etc. and while he did relatively little film work Film Babble would like to highlight his clever cameo as himself (billed as the Elevator killer) in THE MAN WITH TWO BRAINS (Dir. Carl Reiner, 1983). Dr. Hfuhruhurr (Steve Martin) confronts him right after a killing and asks “why?” 



Merv’s answer:

“I don't know. I've always just loved to kill. I really enjoyed it. But then I got famous, and - it's just too hard for me. And so many witnesses. I mean, everybody recognized me. I couldn't even lurk anymore. I'd hear, "Who's that lurking over there? Isn't that Merv Griffin?" So I came to Europe to kill. And it's really worked out very well for me.”



R.I.P. Merv Griffin (1925-2007)





More later…

10 Definitive Films-Within-Films

We’re talking meta-movies here this time out! In particular - movies that contain sometimes just an inkling, sometimes an almost fully formed movie of its own inside their film framework. Fictitious films abound through cinema history - a fake title mentioned here, a fabricated clip seen in passing there but these examples cited below are unique in that their film within a film is practically their sole reason for being.



1. “Mant” in MATINEE (Dir. Joe Dante, 1993)

A comic valentine to the end of the 50’s sci-fi B-movie era MATINEE is set in Key West, Florida, during the Cuban missile crisis in 1962. This is the perfect setting for schlock meister showman Lawrence Woolsey (John Goodman) to unveil “Mant” billed as “Half Man...Half Ant...All Terror!” and presented in Atomo-Vision and Rumble-Rama.

Woolsey (who was supposedely based on like-wise schock -meister William Castle but his silhouette and appearance in his trailers are pure Hitchcock) gets his girlfriend played by Cathy Moriarty to dress as a nurse to get patrons to sign “medical consent forms” in the theater lobby, rigs the seats with electric buzzers, and even hires a guy to dress up as a giant ant and appear at a pivotal moment to scare the audience. All these gimmicks are employed to enhance the experience that is “Mant,” a black and white spoof of vintage monster movies in which a man mutates into a giant ant.





Appearances from veteran actors Kevin McCarthy (the original INVASION OF THE BODY SNATCHERS), Robert Cornthwaite (the original WAR OF THE WORLDS, the original THE THING) and William Shallert (CRY TERROR! - '58) give it creature feature cred while Moriarty does double duty as the actress playing the Mant’s distressed wife. As the high price on the Amazon ad to the right indicates MATINEE is sadly out of print but it must be noted that the original widescreen version laserdisc (circa '94) has a stand-alone extra of the entire “Mant!” movie, running about 20 min. With hope a DVD re-release with this bonus will arrive some day and give this under-rated gem its deserved due.



2. “A Fistful Of Yen” in THE KENTUCKY FRIED MOVIE (Dir. John Landis, 1977) 

At just over 30 minutes this is the longest film within a film on this list. Sandwiched inside a hodge-podge of TV commercial parodies, movie trailer send-ups, and other media mocking mayhem, “A Fistful Of Yen” is a savage satire of 70’s Kung fu cinema in general but mostly it takes on the seminal Bruce Lee vehicle ENTER THE DRAGON (Dir. Robert Clouse, 1973). 



As KENTUCKY FRIED MOVIE was the first feature by sketch comedy trio the Zucker bros. (David and Jerry) and Jim Abrahams, this extended piece was essentially a warm-up piece to AIRPLANE! and a introduction to their joke-a-second sight gag style. Evan C. Kim plays the Lee stand-in who accepts an assignment by the Government (U.S.? British? Does it matter?) to infiltrate Dr. Klahn’s (Master Bong Soo Han) island fortress of extraordinary magnitude, foil his destructive master plan and "kill fifty, maybe sixty people."



3. “Habeas Corpus” in THE PLAYER (Dir. Robert Altman, 1991) 

Major Spoiler! - Andy Civella (Dean Stockwell) and Tom Oakley (Richard E. Grant) pitch a premise to slick but sleazy studio exec.Griffin Mill (Tim Robbins) - a dark thriller about an innocent woman sentenced to death. Oakley insists that the project be done with no stars and no happy ending – “she’s dead because that’s the reality – the innocent die” and “when I think about this - this isn’t even an American film” he stresses. 



When "Habeas Corpus" emerges a year later we see its final scenes in a studio screening room as the creators and execs look on. It’s now completely populated by stars (Bruce Willis, Julia Roberts, Susan Sarandon, Peter Falk, Louise Fletcher, Ray Walston, etc) and has a contrived feel-good one-liner ending – “traffic was a bitch” Willis retorts after rescuing Roberts from the gas chamber. Why was this vision so disgustingly comprised? With dollar signs in his eyes Oakley responds “what about the way the old ending tested in Canoga Park? Everybody hated it, we reshot it now everybody loves it – that’s reality!” SNAP!





4.“Je Vous Presente, Pamela (Meet Pamela)” in DAY FOR NIGHT (NUIT AMERICAINE) (Dir. Francois Truffaut, 1974)

The making of “Meet Pamela” is the entire premise of the Oscar Award winning DAY FOR NIGHT. Truffaut plays a director much like himself who is consumed with every detail of his latest production. His cast and crew, all seemingly playing versions of themselves toil and plod through the never ending chaotic shooting schedule. The beautiful American actress Jacqueline Biset (who is one of the only actors that has a few lines in English) plays Pamela who in the mist of movie passion gets caught up in a romance with Jean Peirre Leaud (Truffaut regular and alter ego in the ANTOINE DOINEL series) who continually asks everyone he meets “are women magic?”

The first scene shows a busy Parisian street with dozens of people walking, children playing, a bus passing, and a man (Leaud) walking up the stairs from a subway tunnel to confront another man on the sidewalk then slap him. The director yells “cut!” and we have a unit director through a bullhorn - “the bus was 2 seconds late, the background activity was late too!” We are immediately inside both the film being made and the outer film about making it. And so it goes throughout the whole picture – we get a sense that "Meet Pamela" is a cliched melodrama far less interesting than what goes on behind the camera – which of course is in front of the camera in this film but before I blow my meta-mind out I digress…

5. “Chubby Rain” in BOWFINGER (Dir. Frank Oz, 1999) Another movie about the making of a fictional movie but this one is so uniquely American in its con-artistry. BOWFINGER has many detractors but I consider it the best Steve Martin movie of the last 10 years. Granted that’s not saying much – I mean CHEAPER BY THE DOZEN, BRINGING DOWN THE HOUSE, PINK PANTHER – uh, anybody? The movie being made was chosen by Martin’s not so wild but at times completely crazy small-time movie-maker wannabe Bobby Bowfinger character from a sci-fi script by his accountant (Adam Alexi-Malle) about aliens who come down in the raindrops hence “Chubby Rain.”



After a cursory script skimming by slimey studio exec Robert Downey Jr. Bowfinger finds that his project would get greenlit if he gets self proclaimed “biggest black action star in the world” Kit Ramsey (Eddie Murphy). So when Ramsey is uninterested in the doing the film, especially after meeting Bowfinger – the cast and crew (including Heather Graham, Jamie Kennedy, and Christine Baranski) stalk him shooting film of him without his knowledge to star in “Chubby Rain.”



The hoax works for a bit but Ramsey being extremely paranoid and a pawn of a Scientology-like organization called Mindhead goes ballistic at the movie manipulations surrounding him. In the end though a deal is struck and the completed “Chubby Rain” is a pure crowd pleaser from the unknowing participation from Ramsey and the knowing participation from his geeky twin brother Jiff who serves as his double (of course also played by Murphy).



A glimpse at another ficticious film “Fake Purse Ninjas” starring Bowfinger and Jiff is seen at the end. Sure "Chubby Rain" as a film within a film is silly beyond belief but even in its fake truncated form when we see a montage of scenes from it at its premiere it looks more valid and a more solid credible film than say DADDY DAY CARE, I SPY, HAUNTED MANSION, or even NORBIT for Christ’s sake!



6. “The Purple Rose Of Cairo” in THE PURPLE ROSE OF CAIRO
(Dir. Woody Allen, 1985) 

Since the Woodman is a fully functioning film historian himself, the idea that he would construct a completely realized movie to be watched and worshipped during the depression especially by domestically abused Celcelia (Mia Farrow) is not far fetched at all – in retrospect it seems natural as all get out. It’s just harmless escapism involving dapper dressed witty socialites on a Egyptian expedition before enjoying "a madcap Manhattan weekend" until protagonist pith-helmet wearing explorer Tom Baxter (Jeff Daniels) walks offscreen into Farrow's life and a world of trouble.



Then the actor playing the character - Gil Shepherd (also Daniels) has to appear to talk his alter-ego back onto the screen so the movie can play out.

The other characters in "The Purple Rose Of Cairo" remain on the screen squabbling about their predicament and sometimes ridicule the few audience members while Cecelia is torn between the two men - "I just met a wonderful new man. He's fictional but you can't have everything.." One of Allen's greatest lines ever in his entire cinematic canon is spoken by an extra - credited as "Moviegoer" an irrate old lady (too lazy to do the full research on this one - several women are listed as "Moviegoer" on IMDb) complains at the box office - "I want what happened in the movie last week to happen this week; otherwise, what's life all about anyway?" 



7. "Codename Dragonfly" in CQ (Dir. Roman Coppola, 2001)

So the story goes, this movie about a movie is a pastiche of the movies BARBARELLA (Dir. Roger Vadim, 1968) and DANGER: DIABOLIK (Dir. Mario Bava, 1968) - that is it's a nod to Italian knock-off spy thriller/cheap "it came from outer space" spoofs. Jeremy Davis plays an idealistic 60's film-maker in Paris in 1969 whose ego gets in the way of his artistic ambition when he works as an editor on "Codename Dragonfly". In the commentary cinematographer Bob Yeoman says "it's actually 3 movies within a movie" - the first being the black and white documentary that Davis's Paul character is self indulgentely making, the second - the sexy sci-fi "Dragonfly" project, and the third being I guess the entire CQ ("seek you") project surrounding it - I think that's it - maybe I need to watch it with commentary again. Anyway "Codename Dragonfly" is available as an extra on the CQ DVD in 2 different versions each running roughly over 10 min. - one is Paul's (Davis) the other director Andrezej's (Gerald Depardieu) compromised cut with fake "scene missing" bits and incomplete matte paintings. 



8.“Home For Purim” (later changed to “Home For Thanksgiving”) in FOR YOUR CONSIDERATION (Dir. Christopher Guest, 2006)





As one of Guest's lesser ensemble comedy works the film within a film here is actually pretty funny. The plot of the movie being made is about a daughter's confession of her lesbianism to her ailing mother upon coming home for a traditional holiday. Such issue driven content must be Oscar rewarded, right? So goes the premise here - funny in spurts - some of which spurts have studio exec Martin Gibb (Ricky Gervais) suggesting that they should "tone down the Jewishness" - hence the title and holiday change. Insinuated online Oscar buzz goes to the heads of the cast of "Home For Thanksgiving" particularly to unfortunately and cruelly named Marilyn Hack (Catherine O'Hara) and pretentious veteran actor Victor Allan Miller (Harry Shearer). From the evidenced quality (or lack of) in said film within film we can see way in advance how their fortunes (or lack of) will turn out. 



9. “The Orchid Thief” in ADAPTATION (Dir. Spike Jonze, 2002)



It could be argued that this entire movie is a movie within a movie here - it is hard to see where the screenplay Charlie Kaufman (Nicholas Cage) is writing ends and his brother Donald's (also Cage) begin. Hired to adapt Susan Orlean's (Meryl Streep) bestselling "The Orchid Thief" Kaufman sweats bullets on how exactly to make a story out of a story-less book. He declares "I don't want to cram in sex or guns or car chases or characters learning profound life lessons or growing or coming to like each other or overcoming obstacles to succeed in the end." His brother Donald is working on a populist thriller called "The 3". When Charlie realizes that Donald may have the accessible keys to making his work adaptable they collaborate and the movie concludes with sex, guns, a car chase, characters growing, coming to like each other, learning profound life lessons, and overcoming obstacles to succeed in the end.

Charlie: “I’ve written myself into my screenplay.”
Donald: “That’s kind of weird, huh?”



10. “The Mutants of 2051 AD” in STRANGE BREW (Dirs. Rick Moranis & Dave Thomas, 1983)

SCTV's beloved beer-swilling Canadian spokesmen Doug and Bob McKenzie introduce their new movie at the beginning of STRANGE BREW. It's a cheapie sci-fi epic set in the future after a worldwide holocaust. We see Bob (Moranis) drive their beat-up van suspended on very visible wires through what he calls "the forbidden zone" - "I was kinda like a one man force, eh? Like Charlton Heston in OMEGA MAN. Did you see it? It was beauty." The film breaks down, the audience revolts wanting their money back and STRANGE BREW regresses to a regular comedy setting. Too bad - if they kept the non-existant budget sci-fi thing going through the whole movie we might have really had a classic here.

Honorable Mention : “The Dueling Cavalier” (later changed to "The Dancing Cavalier" in SINGIN' IN THE RAIN (Dirs. Stanley Donen & Gene Kelly) We see little of this film within a film but its production meeting brainstorming makes the concept take on a life of its own. Especially as Wikipedia notes - "The film "The Dueling Cavalier" is probably a reference to THE CAVALIER (Dir. Irvin Willat, 1928) a largely silent picture notable only for its poorly dubbed songs that were thrown in when it became clear talkies were popular."

"American Scooby" in STORYTELLING (Dir. Todd Solondz, 2001) The second half of STORYTELLING entitled "Non-fiction" details documentary film-maker Toby Oxman (Paul Giamatti) filming Scooby (Mark Webber) - a high school student and his family (including father John Goodman * and mother Julie Hagerty) through the college application process. The film that results - "American Scooby" with its title, identical soundtrack and right on down to the "straw wrapper blowing in the wind" (a substitute for that plastic bag of course) is obviously a huge dig at AMERICAN BEAUTY. Apparently this is because Director Sam Mendes put down Solondz's work so file this under pay-back time.

* 



Goodman, again. He is surely the meta-man to go to for fictional film appearances!

"Stab" in SCREAM 2 (Dir. Wes Craven, 1997) Robert Rodriguez filmed the film-within-a-film here that dramatized the events of the first SCREAM. Also it should be noted that SCREAM 3 which was the series concluder also featured the fictional series concluder "Stab 3: Return to Woodsboro."



Also: “Tristram Shandy” in TRISTHAM SHANDY: A COCK AND BULL STORY
(Dir. Michael Winterbottom, 2005) and "Raving Beauty" in CECIL B. DEMENTED (Dir. John Waters, 2001)





Dishonorable Mention :

S1m0ne (Dir. Andrew Niccol, 2002) Computer generated actress Simone (Rachel Roberts) created by washed-out film maker Viktor Taransky (Al Pacino) stars in 3 fictional films - "I Am Pig", "Sunrise Sunset", and "Eternity Forever". What we see of them is just as unconvincing as she is.

"Jack Slater IV" in LAST ACTION HERO (Dir. John McTiernan, 1993) The less said about this Schwarzenegger dud the better. Don't know why I even brought it up.

"Time Over Time" in AMERICA’S SWEETHEARTS (Dir. Joe Roth, 2001) Diddo. 



Send your favorite film-within-a-film to

boopbloop7@gmail.com 



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DVD Babble Blurb Bash-tacular!

I have seen a lot of recent DVDs over the last few months that I haven't been blogged about so I thought it would be good to take a break from the summer sequel season and round up a handful and square them off. I tried to keep it in a brief blurb format but since this is film BABBLE the reviews of course wind on and on. Let's start with -

New Release DVD Recommendations :

LETTERS FROM IWO JIMA (Dir. Clint Eastwood, 2006) Word was that this was vastly superior to FLAGS OF OUR FATHERS but this politically correct companion piece is roughly the same quality in my estimation. Told from the Japanese point of view entirely in their language with sub-titles LETTERS has the same sense of earnest honor and the same grey overcast tint. The standout characters are General Tadamichi Kuribayashi (Ken Watanabe) the young Saigo (Kazunari Ninomira) who run into each other more than once in the tunnels between Mount Saribachi and the north side of the island as bombing and ground attacks by the American troops rage above. The melodrama involving the sympathy that emerges is handled deftly by Eastwood while the sentiment - such as the sunny Speilbergisms that sadly have defined the modern era war-film is kept in check. It may be too much to watch both FLAGS and LETTERS in one sitting or some double feature setting but both even with their glorified old-school faults (most likely from the screenplay written by CRASH * director Paul Hack-ish, oh - I mean Haggis) should not be missed.

* Incidentely my least favorite Best Picture Academy Award winning film ever!



49 UP (Dir. Michael Apted, 2005) The 7th in the excellent documentary series that began in 1964 with the bold statement - "Give me a child until he is seven and I will give you the man" and followed 14 British children catching up with them every (yep) 7 years. Since most people I know haven't seen any of these movies I'd highly recommend the Up Series box-set which has the previous 6 films but honestly that's not absolutely necessary to enjoy this movie. Plenty of clips from all the films inform and enhance the new material and don't come off as redundant for those who have kept up. It would be too much for me to recount all the names, stories, and economic backgrounds so check out this Wikipedia entry if you are curious. Seeing this group of real people at the various stages of their lives through turmoil and peace makes for extremely satisfying viewing. Bring on 56 UP!

ROCKY BALBOA
(Dir. Sylvester Stallone, 2006)

It's hard for me to believe this is making my recommendations list. I mean as a kid I hated the ROCKY movies, ridiculed them with other snotty pimpled faced friends, and grew up to believe them to be populist Narcissistic America at its most lame brained epic-wannabes. At some point when I got older I caught the original Best Picture winning ROCKY and found myself liking it. It came from my favorite era of cinema (the 70's dummy!) and it was grittily touching in its portrayal of the boxing underdog making a name for himself. Then sequel-itis set in and the character became a machine who could never lose in glitzy gimmicky match-ups with Mr. T (III) and that evil Russian powerhouse played by Dolph Lundgren (IV) - yes that's right - Rocky was going to win the Cold War! I never even saw ROCKY V (1990) - so why do I like and recommend ROCKY BALBOA? Because we have Stallone at his most likable - an aging humble simpleton running a restaurant named after his deceased wife Adrian (Talia Shire - who is not deceased; she just didn't return to the series), telling the same fight stories, and brushing off daily indignities. It seems oddly necessary for Stallone to return to his Rocky roots - this is his best and most definable character and even with the contrived 'inspired by a video game simulation Rocky gets an exhibition match with the current troubled champ Mason 'The Line Dixon' (Antonio Tarver)' scenario, I hate to admit it but it works. Bring on JOHN RAMBO! Okay, no wait - that's a bit much.

And now :

New Release DVD Disses :

BOBBY (Dir. Emilio Estevez, 2006) I had heard the news upon its theatrical release that this was a NASHVILLE remake - relocated to the Ambassador Hotel in Los Angeles with the RFK assassination the backdrop to a convoluted mishmash of over 20 cliched '60s stereotypes. I held out 'til it came in that red Netflix envelope because of my love for political period pieces but damn was that description right on the money! The Altman derived framework doesn't disguise the awful screenplay with ham-fisted base dialogue like Nick Cannon playing an insufferably idealistic Kennedy staffer emoting "now that Dr. King is gone - no one left but Bobby. No one." Cannon joins an ace cast including Anthony Hopkins, Lawrence Fishborne, William H. Macy, Harry Belfonte, Christian Slater (one of the few non-idealist characters - he plays a base racist), and Estevez's Daddy Martin Sheen. Not so ace actors here include Elijah Wood, Lindsay Lohan, Demi Moore and Estevez himself. The cringe inducing cliches pile up - Ashton Kutcher does his worst acting ever (can't believe that was possible) as a hippy that would look phony on Dragnet 1967- during a horrifyingly stupid acid trip sequence actually sits staring at an orange in his hand saying "no, you shut up!", every TV set has a perfect quality picture of carefully chosen clips of RFK speeches and there's even a MAGNOLIA-esque montage going from strained close-up shots actor to actor. Can't deny the heart that went into this movie but all we have here is an A-list cast, B-list production values, C-list cliches, D-list overused soundtrack standards, and an F-list script. Somebody revoke Estevez's cinematic license! He should be exiled to the TV movie circuit after this film felony.

SMOKIN' ACES (Dir. Joe Carnahan, 2007) Another better than average cast slumming it through derivative drivel. Flashy Vegas gangster caper in which every one in the cast is after sleazy magician soon to be snitch Buddy Aces (Jeremy Piven - pictured on the left). Some are trying to protect him - (lawyer Curtis Armstrong, FBI agents Ryan Reynolds and Ray Liotta under the supervision of chief Andy Garcia) but everybody else is trying to kill him including Alicia Keys, Ben Affleck, Jason Bateman, and rapper Common - okay yeah so it's not A-list but most of them are still better than the material in this worn entry into the PULP FICTION-GET SHORTY-LOCK STOCK-GO sweepstakes that expired over a decade ago. Kind of like Shane Black's also post-dated glib witless KISS KISS BANG BANG (2005) SMOKIN' ACES is a lesson in how quick cutting and hip-hopisms don't ensure a clever crafty meta-movie. Just say Tarenti-NO to this piece of pop-nonsense.

This post (especially the disses) is dedicated to Good Morning America critic Joel Siegel (1943-2007). He became a film babble hero when he walked out of a screening of CLERKS II last summer. Knowing his days were numbered he figured he didn't want to waste his last hours on that crap. The fact that it pissed off Kevin Smith was the icing on the cake! Check out Roger Ebert's heartfelt tribute.


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