Tampilkan postingan dengan label Harold And Maude. Tampilkan semua postingan
Tampilkan postingan dengan label Harold And Maude. Tampilkan semua postingan

100 Years, 100 Better Quotes



The American Film Institute just unveiled another mighty list - this one is of 100 movie quotes :

AFI'S 100 YEARS, 100 MOVIE QUOTES

Thinking that many of the lines while great are too obvious we here at film babble compiled an alternate list. 




Some lines come from the same movies, some are more profane but all are ones we cherish more than the AFI's precious official annointing. Enjoy!




FILM BABBLE BLOG'S 100 YEARS, 100 BETTER QUOTES




1. Girl: "What're you rebelling against, Johnny?"
Johnny Strabbler (Marlon Brando): "Whaddya got?"
- THE WILD ONE (1953) Can't believe this didn't make the AFI's list! Heh - losers.




2. "My teenage angst now has a body count" - Veronica Sawyer (Winnona Ryder) HEATHERS (1989)



3. "Well, let's not start sucking each other's dicks just yet." - The Wolf (Harvey Keitel) PULP FICTION (1994)






     

4. "You aren't too bright. I like that in a man. " - Matty (Kathleen Turner) BODY HEAT (1981)



5. "We figured there was too much happiness here for just the two of us, so we figured the next logical step was to have us a critter." - H.I. (Nicolas Cage) RAISING ARIZONA (1987)




6. "Into the mud, scum queen!" - Dr. Hfuhruhurr (Steve Martin) THE MAN WITH TWO BRAINS (1982)



7. "I don't know, I'm making this up as I go. " - Indiana Jones (Harrison Ford) RAIDERS OF THE LOST ARK (1981)




8. "Mother! Oh God, mother! Blood! Blood!" - Norman Bates (Anthony Perkins) PSYCHO (1960)




9. "But, I'm funny how? Funny like a clown? I amuse you? I make you laugh? I'm here to fuckin' amuse you?" - Tommy (Joe Pesci) GOODFELLAS (1990)




10. "Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock." - Harry Lime (Orson Welles) THE THIRD MAN (1949)



11. "I'll show you a life of the mind!" - Charlie Meadows (John Goodman) BARTON FINK (1991)



12. "These go to eleven" - Nigel Tufnel (Christopher Guest) THIS IS SPINAL TAP (1984)




13. "All I'm saying is that if I ever start referring to these as the best years of my life - remind me to kill myself." - Randall 'Pink' Floyd (Jason London) DAZED AND CONFUSED (1993)



14. "One of us, one of us!" - A freak from FREAKS (1932)



15. "Who did the president, who killed Kennedy, fuck man! It's a mystery! It's a mystery wrapped in a riddle inside an enigma! The fuckin' shooters don't even know! Don't you get it?" - David Ferrie (Joe Pesci) JFK (1991)



16. "His brain has not only been washed, as they say... It has been dry cleaned." Dr. Yen Lo (Khigh Dheigh) THE MANCHURIAN CANDIDATE (1960)



17. "I don't want to sell anything, buy anything, or process anything as a career. I don't want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. You know, as a career, I don't want to do that." - Lloyd Dobbler (John Cusack) SAY ANYTHING (1988)




18. "Oh please, if everyone around here is going to start telling the truth, I'm going to bed."
- Jackie O. (PARKER POSEY) HOUSE OF YES (1997)




19. "Can I borrow your towel? My car just hit a water buffalo." - Fletch (Chevy Chase) FLETCH (1985)




20. " I'm a goddamn marvel of modern science." - McMurphy (Jack Nicholson) ONE FLEW OVER THE CUCKOO'S NEST 1975




21. " Come on, man. I had a rough night and I hate the fuckin' Eagles, man!" - The Dude (Jeff Bridges) THE BIG LEBOWSKI (1998)










22. "Sticks and stones may break your bones but words cause permanent damage." - Barry (Eric Bogosian) TALK RADIO (1988)



23. "I will not be ignored, Dan!" - Alex Forrest (Glenn Close) FATAL ATTRACTION (1987)



24. "This is so bad it's gone from good back to bad again" - Enid (Thora Birch) GHOST WORLD (2001)



25. "Why do I hear 50 thousand dollars worth of pyscho-therapy dialing 911?" - Gabe (Woody Allen) HUSBANDS AND WIVES (1992)



26. "Well, then, I just HATE you... and I hate your... ass... FACE!" - Corky St. Clair (Christopher Guest) WAITING FOR GUFFMAN (1996)




27. "You see, if it bends, it works. If it breaks, it doesn't work." - Lester (Alan Alda) CRIMES AND MISDEMEANORS (1989)







28. "One through nine, no maybes, no supposes, no fractions. You can't travel in space, you can't go out into space, you know, without, like, you know, uh, with fractions - what are you going to land on - one-quarter, three-eighths? What are you going to do when you go from here to Venus or something? That's dialectic physics." - Photojournalist (Dennis Hopper) APOCALYPSE NOW (1979)



29. "Don't call me chicken" - Jim Stark (James Dean) REBEL WITHOUT A CAUSE (1955)



30. "I'm not even supposed to be here today!" - Dante Hicks (Brian O'Halloran) CLERKS (1994)



31. "I'm so rich, I wish I had a dime for every dime I had" - Arthur (Dudley Moore) ARTHUR (1981)




32. "So it's sorta social, demented and sad, but social. Right?" - John Bender (Judd Nelson) THE BREAKFAST CLUB (1985)




33. "I am not your problem to solve!" - Alice Green (Meg Ryan) WHEN A MAN LOVES A WOMAN (1994)



34. "Why are frogs falling from the sky?" - Phil Parma (Phillip Seymour Hoffman) MAGNOLIA (1999)



35. Gonzo (Dave Goelz): "Well, I want to go to Bombay, India to become a movie star."
Fozzie (Frank Oz): "You don't go to Bombay to become a movie star. You go where we're going, Hollywood." Gonzo: "Well, sure, if you want to do it the *easy* way."
- THE MUPPET MOVIE (1978)




36. "If Mike Tyson dreams about whuppin' my ass , he better wake up and apologize."
- SWEET WILLIE DICK (Robin Harris) DO THE RIGHT THING (1989) - Tarantino used a variation of this line in RESERVOIR DOGS 1992- "You shoot me in a dream, you better wake up and apologize." - Mr. White (Harvey Keitel)




37. "I am so glad that I got sober now so I can be hyper-conscious for this series of humiliations." - Suzanne (Merle Streep) POSTCARDS FROM THE EDGE (1990)



38. "Nothing happens in the world? Are you out of your fucking mind? People are murdered every day. There's genocide, war, corruption. Every fucking day, somewhere in the world, somebody sacrifices his life to save someone else. Every fucking day, someone, somewhere makes a conscious decision to destroy someone else. People find love, people lose it. For Christ's sake, a child watches her mother beaten to death on the steps of a church. Someone goes hungry. Somebody else betrays his best friend for a woman. If you can't find that stuff in life, then you, my friend, don't know crap about life. And why the FUCK are you wasting my two precious hours with your movie? I don't have any use for it. I don't have any bloody use for it."
- Robert McNee (Brian Cox) ADAPTATION (2001)




39. "I am the motherfucking shore patrol, motherfucker!" - Budduskey (Jack Nicholson) THE LAST DETAIL 1973






40. "In this country, you gotta make the money first. Then when you get the money, you get the power. Then when you get the power, then you get the women." - Tony Montana (Al Pacino) SCARFACE (1983)



41. "Where does he get those wonderful toys?" -The Joker (Jack Nicholson) BATMAN (1989)



42. "Come on, fellas. Rome wasn't built in a day." - Coach Morris Buttermaker (Walter Matthau) "Yeah, it took several hundred years." -Ogilvie ( Alfred Lutter III)
BAD NEWS BEARS (1976)






43. "Harold, *everyone* has the right to make an ass out of themselves. You just can't let the world judge you too much."
- Maude (Ruth Gordon) HAROLD AND MAUDE (1971)




44. "Make like a tree...and get outta here." - Biff (Thomas F. Wilson) BACK TO THE FUTURE (1985)



45. "I'll bet you're the kind of guy that would fuck a person in the ass and not even have the goddam common courtesy to give him a reach-around." - Gunnery Sergeant Hartman (R. Lee Ermey) FULL METAL JACKET (1986)



46. "Sex without love is an empty experience, but as empty experiences go it's one of the best." - Boris (Woody Allen) LOVE AND DEATH










47. "You're right, I did lose a million dollars last year. I expect to lose a million dollars this year. I expect to lose a million dollars *next* year. You know, Mr. Thatcher, at the rate of a million dollars a year, I'll have to close this place in... 60 years. - Charles Foster Kane (Orson Welles) CITIZEN KANE (1941)



48. "Wouldn't this be a great world if insecurity and desperation made us more attractive? If "needy" were a turn-on?" - Aaron Altman (Albert Brooks) BROADCAST NEWS (1987)



49. "Just when I thought that I was out they pull me back in." - Michael Corleone (Al Pacino) GODFATHER PART III - Funny how everyone's least favorite GODFATHER film has one of the most quoted lines., huh?



50. "You have clearance Clarence, roger Roger, what's our vector Victor?" - Captain Clarence Oveur (Peter Graves) AIRPLANE! (1980) - You gotta admit this is better than the 'Shirley' line.



51. "Only one is a wanderer; two together are always going somewhere." - Madeleine (Kim Novak) VERTIGO (1958)






52. "The first rule of Fight Club is you don't talk about Fight Club." - Tyler Durden (Brad Pitt) FIGHT CLUB (1999)



53. "I swear to tell the truth, the whole truth, and nothing but the truth, so help me me." - God (George Burns) OH GOD (1977)





54. Sam Burns (John Lithgow) - "You're a very rude young woman. I know Douglas from the Rotary and I can't believe he'd want you treating customers so badly." Checkout Girl : "I don't think I was treating her badly." Sam Burns : "Then you must be from New York." - TERMS OF ENDEARMENT (1983)




55. "If you don't get the President of the United States on that phone, do you know what's gonna happen to you?...You're gonna have to answer to the Coca-Cola Company." - Colonel Bat Guano (Keenen Wynn) DR. STRANGELOVE (1964)



56. "I have a head for business and a bod for sin. Is there anything wrong with that?" - Tess McGill (Melanie Griffith) WORKING GIRL (1988)



57. "That is one nutty hospital." - Jeff (Bill Murray) TOOTSIE (1982)



58. "I'm not bad, I'm just drawn that way." - Jessica Rabbit (Kathleen Turner) WHO FRAMED ROGER RABBIT (1988)



59. "Roads? Where we're going we don't need - roads." - Doc Brown (Christopher Lloyd) BACK TO THE FUTURE (1985)



60. "He's got a real purty mouth, ain't he?" - Toothle



61. "They're not gonna catch us. We're on a mission from God." -Elwood Blues (Dan Aykroyd) THE BLUES BROTHERS (1980)









62. "It's okay with me." - Philip Marlowe (Elliot Gould) THE LONG GOODBYE (1973)



63. "Withdrawing in disgust is not the same as apathy." - Written on a piece of a paper recited by some dude in SLACKER (1991) - also quoted in R.E.M.'s "What's The Frequency Kenneth" - "Richard said, Withdrawal in disgust is not the same as apathy".



64. "Back and to the left." - Jim Garrison (Kevin Costner) JFK (1991)



65. "Worry is like interest paid in advance on a debt that never comes due." - George Lang (Ricky Jay) THE SPANISH PRISONER (1997)



66. "It really tied the room together" - just about everybody in THE BIG LEBOWSKI (1997)



67. "What in the wide world of sports is going on here?!!?" - Taggart (Slim Pickens) BLAZZING SADDLES (1974)



68. "I've got a bad feeling about this" - Luke Skywalker(Mark Hamil), Han Solo (Harrison Ford), Obi Wan Kenobi (Ewan McGregor), C-3PO (Anthony Daniels, Lando Calrissian (Billy Dee Williams), etc. said in every STAR WARS movie (1977-2005)




69. "Sometimes I doubt your commitment to Sparkle Motion." - Kitty Farmer (Beth Grant) DONNIE DARKO (2001)



70. "My name is Inigo Montoya. You killed my father. Prepare to die." - Inigo Montoya (Mandy Patinkin) THE PRINCESS BRIDE (1987)




71. "I believe in the cock, the pussy, the small of a woman's back, the hanging curve ball, high fiber, good scotch, that the novels of Susan Sontag are self-indulgent, overrated crap. I believe Lee Harvey Oswald acted alone. I believe there ought to be a constitutional amendment outlawing Astroturf and the designated hitter. I believe in the sweet spot, soft-core pornography, opening your presents Christmas morning rather than Christmas Eve and I believe in long, slow, deep, soft, wet kisses that last three days." - Crash Davis (Kevin Costner) BULL DURHAM (1987)



72. "As long as there's, you know, sex and drugs, I can do without the rock and roll." - Mick Shrimpton (R.J. Parnell) THIS IS SPINAL TAP (1984)






73. "Ah Kirk, my old friend. Do you know the Klingon proverb that tells us revenge is a dish that is best served cold? It is very cold in space." - Khan (Ricardo Montalban) STAR TREK II : THE WRATH OF KHAN (1982)



74. "Life moves pretty fast. If you don't stop and look around once in awhile, you could miss it." - Ferris Bueller (Matthew Broderick) FERRIS BUELLER'S DAY OFF (1986)



75. "I think you're the opposite of a paranoid. I think you go around with the insane delusion that people like you." - Harry Block (Woody Allen) DECONSTRUCTING HARRY (1997)



76. "Human sacrifices, dogs and cats living together! Mass hysteria!" - Peter Venkman (Bill Murray) GHOST BUSTERS (1984)



77. "Pimps is an ugly word. We could call ourselves love brokers!" - Bill Blazejowski (Michael Keaton) NIGHT SHIFT (1981)



78. "Look at me, jerking off in the shower... This will be the high point of my day; it's all downhill from here." - Lester Burnham (Kevin Spacey) AMERICAN BEAUTY (1999)



79. "Don't point that finger at me unless you intend to use it." - Oscar Madison (Walter Matthau) THE ODD COUPLE (1968)



80. "I'd buy that for a dollar!" - Bixby Snyder (S.D. Nemeth) ROBOCOP (1988)



81. Superman (Christopher Reeve) : "Is that how a warped brain like yours gets its kicks? By planning the death of innocent people?
Lex Luther (Gene Hackman) : "No, by causing the death of innocent people."
SUPERMAN : THE MOVIE (1978)




82. "Strange game--the only winning move is not to play." - Joshua (computer) WAR GAMES (1983)




83. "This is the most uncomfortable coffin I've ever been in" - Bela Lugosi (Martin Landau) ED WOOD (1994)




84. "The greatest trick the Devil ever pulled was convincing the world he didn't exist." - Verbal (Kevin Spacey) THE USUAL SUSPECTS (1995)



85. "Strange things are afoot at the Circle K" - Ted Logan (Keanu Reeves) BILL AND TED'S EXCELLENT ADVENTURE (1989)










86. "I know what you're thinking: "Did he fire six shots, or only five?" Well, to tell you the truth in all this excitement, I've kinda lost track myself. But, being this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off, you've got to ask yourself one question: "Do I feel lucky?" Well, do ya punk?" - Harry Callahan (Clint Eastwood) DIRTY HARRY (1971)



87. "It was the classic mother B.B. gun block: "You'll shoot your eye out." That deadly phrase uttered many times before by hundreds of mothers, was not surmountable by any means known to kiddom." - Ralphie (Jean Sheppard) A CHRISTMAS STORY (1983)



88. "Now that's a real shame when folks be throwin' away a perfectly good white boy like that." - Tree Trimmer (Steven Williams) BETTER OFF DEAD (1985)



89. "No, I have to do this my way. You tell me what you know, and I'll confirm. I'll keep you in the right direction if I can, but that's all. Just... follow the money." - Deep Throat (Hal Holbrook) ALL THE PRESIDENT'S MEN (1976)



90. " I may go back to hating you. It was more fun." - Roger (Cary Grant) NORTH BY NORTHWEST (1958)



91. "Well, we lost the first game of the season. I know it shouldn't bother me, but it does. We always lose the first game of the season and the last game of the season. (pause)
AND ALL THOSE STUPID GAMES IN BETWEEN!" - Charlie Brown (Peter Robbins) A BOY NAMED CHARLIE BROWN (1969)




92. "Now that I've met you, would you object to never seeing me again?" - Claudia Wilson Gator (Melora Walters) MAGNOLIA (1999) - this line was lifted from the Aimee Mann song "Deathly".





93. "I was just thinking what an interesting concept it is to eliminate the writer from the artistic process. If we could just get rid of these actors and directors, maybe we've got something here." - Griffin Mill (Tim Robbins) THE PLAYER (1992)




94. "Can you imagine what this man would be like had anyone ever loved him?" - Henry Kissinger (Paul Sorvino) NIXON (1995)



95. "No, if anyone orders Merlot, I'm leaving. I am NOT drinking any fucking Merlot!" - Miles (Paul Giamatti) SIDEWAYS (2004)


96. "At this moment, I didn't feel shame or fear, but just kind of blah, like when you're sitting there and all the water's run out of the bathtub." - Holly (Sissy Spacek) BADLANDS (1973)




97. "Last time I saw a mouth like that, it had a hook in it." - Al (Rodney Dangerfield) CADDYSHACK (1980)



98. "Your car is uglier than I am. Oops, that didn't come out right." - Carol (Mackenzie Phillips) AMERICAN GRAFFITI (1973)



99. "You're an errand boy, sent by grocery clerks, to collect a bill." - Kurtz (Marlon Brando) APOCALYPSE NOW (1979)



100. "You see the whole culture. Nazis, deodorant salesmen, wrestlers, beauty contests, a talk show. Can you imagine the level of a mind that watches wrestling? But the worst are the fundamentalist preachers. Third grade con men telling the poor suckers that watch them that they speak with Jesus, and to please send in money. Money, money, money! If Jesus came back and saw what's going on in his name, he'd never stop throwing up." - Frederick (Max Von Sydow) HANNAH AND HER SISTERS (1986)



Take that AFI! 




More later...

HAROLD AND MAUDE: Soundtrack Breakdown







Yet
again, I take another movie notable for its soundtrack, in this case Hal Ashby's 1971 classic HAROLD AND MAUDE, and give you a musical
play by play: 






This
particular film, an all-time favorite of mine, is especially notable because it features just one artist (Cat
Stevens) much like Mike Nichols’ THE GRADUATE had Simon and Garfunkel guiding
the way through its narrative. For some reason, HAROLD AND MAUDE's excellent soundtrack wasn't released in America, but there was a 1972 Japanese release on A & M Records.





The
film begins with Harold Chasen (Bud Cort) preparing to hang himself in the
elegant din of his mother’s mansion.







With his face hidden from view, Harold puts on a record on an old-style phonograph. It is "Don't Be Shy" by
Cat Stevens. As this a song not on any Cat Stevens record - written for the
film no less - Harold is very privileged.










Next up, "On The Road To Find Out"
accompanies and introduces Harold's funeral fetish - we see him purchase a new hearse and attend a stranger's service at a large cemetery where he first takes note of Maude (Ruth Gordon) who's eating an apple.





Following that, "I Wish, I Wish"
takes us from the film's first funeral scene to Harold screeching his hearse into the driveway of his family's mansion to the disapproving looks from his mother (Vivian Pickles) and her guests.





"Tchaikovsky Piano Concerto #1" (performer
unknown according to IMDB) plays as another Haorld suicide attempt - drowning
face down in a pool as his mother nonchalantly swims laps.





Stevens' stirring "Miles
From Nowhere" sets another funeral scene - this one rain drenched. 










As
that tune fades, the congregation exits the cemetery with Maude and her
bright yellow umbrella leading the way while "Tea For The Tillerman" plays. 





Another spiritual Stevens song - "I
Think I See The Light" lifts us away from Harold's successful sabotage of
his mother's dating set-up to Maude's artistic nude modeling.










 As
Harold and Maude (Ruth Gordon) get acquainted "Where Do The Children
Play" - another passionate Cat tune sets the tone.


Instrumental snatches
from it play over the next few scenes. 





Back at her place - after an emotional
moment concerning Maude’s mysterious past our protagonists engage in a
sing-a-long of “If You Want To Sing Out, Sing Out” on Maude’s player piano
which amusingly plays after she gets up to dance. Like "Don't Be Shy"
this song was written for the movie and is definitely its unofficial theme
song. A piano version sans vocal decorates the next scene as Harold’s mother presents
him with a new Jaguar.





Johann
Strauss’s "On The Beautiful Blue Danube” (again, performer unknown)
accompanies a sweet night time close dance by Harold and Maude again at her
place. “If You Want To Sing Out…” again serenades our movie couple in a montage
involving Harold’s Jaquar, which is now souped-up Hearse-style, tooling down roads through the
countryside, our charming couple dancing and frolicking in the sun, then nicely
concluding with a tender moment in a junk-yard at dusk. 





The energetic jamming
finish of "I Think I See The Light" which faded out earlier now
emerges again to illustrate Harold's now consumated relationship with Maude.





In
morning light coming through the window of Maude's abode Harold, in a love-daze
blows bubbles while she sleeps. Another instrumental of "If You Want To
Sing Out..." now played on a banjo punctuates Harolds confident walk away
from his Mother's bedroom after telling her that he intends to marry Maude. 










"Trouble" powerfully fills out the final sequence which cuts back and
forth from Harold in Jaquar/Herse recklessly driving the winding roads of
previous scenes and the ambulance drive and Maude's admittance to the hospital
on the night of her death - unbearably untimely in Harold's eyes.










A
reprise of “If You Want To Sing Out...” takes us through the end credits right
after a now newly inspired Harold plucks a few chords on his Banjo - a gift
from Maude - right after discarding the Herse/Jaquar - a gift from his mother -
in a particularly dramatic fashion.





More later...


5 Cult Classics That Roger Ebert Didn't Get







Here at Film Babble Blog, film critic Roger Ebert is a well respected legend with his wealth of writings referred to often. 


Even when I’ve disagreed with Ebert, his well thought out and cleverly crafted reviews still make powerful points. However, there a number of times that I’ve felt that Mr. Ebert tragically missed the point so here are:

The Top 5 Cult Classics That Roger Ebert Didn't Get:






1. HAROLD AND MAUDE (Dir. Hal Ashby, 1971) Can this be right? Can Ebert truly be among the out-of-it straight laced critics that horribly misjudged this undeniably influential beyond words cult classic? Yep, he only rewards a movie that many friends, collegues, and family have considered one of the best movies ever with one and a half stars. For shame.

2. FIGHT CLUB (Dir. Peter Fincher, 1999) Two stars. Roger loves the first couple of acts but hates the concluding act. This is from a guy who wouldn't know the Pixies if they were stuck on the same elevator. Whatever Ebert, watch it again and tell me how what is set up in the first third would work better done another way and you and me will be square. 






3. BEETLEJUICE 

(Dir. Tim Burton, 1988) 



Again 2 stars. Where's the love for Tim Burton's maniacal masterpiece? It’s times like this that you just have to remember this is the guy who gave COP AND A HALF and HOLLYWOOD HOMICIDE rave reviews.

4. HEATHERS (Dir. Michael Lehmann, 1989) Two and a half stars. I mean COME ON! This is a bonafide classic and Ebert's baffled review is painful to read. He writes "Is this a black comedy about murder or just a cynical morality play?" Jesus, Roger - if you have to ask... 






5. DON'T LOOK BACK 

(Dir. D.A. Pennebaker, 1967) 



Okay, so he gave this rock doc three stars, but don't let that fool you. He disses Bob Dylan to such a degree in his review that it's hard to take. I mean, read this sample: “What a jerk Bob Dylan was in 1965. What an immature, self-important, inflated, cruel, shallow little creature, lacking in empathy and contemptuous of anyone who was not himself or his lackey. Did we actually once take this twirp as our folk god?”

Can you believe that? Is Ebert, who wrote two separate reviews of this flick (first in '68 on the movie's original run and then again in '98 on its re-release) that out of touch? I thought it was pretty much accepted that Dylan was putting on those who were asking him square questions and having fun with the media juggernaut. I mean just a couple years before DON’T LOOK BACK was filmed (yes, I’m looking back) Newsweek wrongly accused him of plagiarizing his classic song “Blowing In The Wind,” and countless bandwagon jumpers had co-opted Bob's simple plaintive messages for their own cynical purposes. 






I can't imagine Dylan at that age and time reacting any other way, but to Ebert he's a self serving twirp. I can't quite process this judgement (or lack of). To Ebert's credit he nailed Bob's self indulgent MASKED AND ANONYMOUS monstrosity last year in a scathing review, but that doesn't make right his insulting remarks about one of the most influential film portraits of an artist at his prime in existence.





More later...

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